| Videos (see all 2) |
| Ian McCulloch | ... | Cmdr. Ian Hubbard | |
| Louise Marleau | ... | Col. Stella Holmes | |
| Marino Masé | ... | NYPD Lt. Tony Aris | |
| Siegfried Rauch | ... | Hamilton | |
| Gisela Hahn | ... | Perla de la Cruz | |
| Carlo De Mejo | ... | Agent Young | |
| Carlo Monni | ... | Dr. Turner | |
| rest of cast listed alphabetically: | |||
| Nick Alexander | ... | Harbor Authority (voice: English version) (uncredited) | |
| Larry Dolgin | ... | Lt. Tony Aris - NYPD (voice: English version) (uncredited) | |
| Edward Mannix | ... | Dr. Turner (voice: English version) (uncredited) | |
| Mike Morris | ... | Dr. Hilton (uncredited) | |
| Angelo Ragusa | ... | Warehouse Man (uncredited) | |
| Martin Sorrentino | ... | Black Warehouse Worker (uncredited) | |
| Susan Spafford | ... | Col. Stella Holmes (voice: English version) (uncredited) | |
| Brigitte Wagner | ... | Doctor (uncredited) | |
Directed by | |||
| Luigi Cozzi | (as Lewis Coates) | ||
Writing credits | ||
| Luigi Cozzi | (screenplay) (as Lewis Coates) & | |
| Erich Tomek | (screenplay) | |
| Luigi Cozzi | (story) (as Lewis Coates) | |
Produced by | |||
| Claudio Mancini | .... | producer (as Charles Mancini) | |
| Ugo Valenti | .... | associate producer | |
Original Music by | |||
| Goblin | |||
| Agostino Marangolo | |||
| Antonio Marangolo | (as Goblin) | ||
| Fabio Pignatelli | |||
Cinematography by | |||
| Giuseppe Pinori | (as Joseph Pinori) | ||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Tiziana Mancini | |||
Makeup Department | |||
| Corrado Cristofori | .... | hair stylist | |
| Pierantonio Mecacci | .... | makeup artist | |
| Mario Michisanti | .... | assistant makeup artist | |
Production Management | |||
| Walter Siffert | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Franco Coduti | .... | assistant director | |
Art Department | |||
| Giacomo Calò Carducci | .... | set dresser | |
| Georgio Ferrari | .... | constructor: alien cyclops | |
| Gianni Fiumi | .... | property master | |
| Claudio Mazzoli | .... | design: alien cyclops | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects | |
| Massimo Anzellotti | .... | sound effects | |
| Romano Checcacci | .... | re-recording engineer | |
| Gaetano Testa | .... | sound recordist | |
| Giuseppe Testa | .... | boom operator | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects | |
| Valerio Mazzoli | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Adolfo Bartoli | .... | assistant camera | |
| Augusto Diamanti | .... | key grip | |
| Romano Mancini | .... | gaffer | |
| Carlo Tafani | .... | camera operator | |
Costume and Wardrobe Department | |||
| Orsola Liberati | .... | seamstress | |
Editorial Department | |||
| Angela Bordi | .... | first assistant editor | |
| Gisela Haller | .... | assistant editor | |
| Olga Sarra | .... | second assistant editor | |
Music Department | |||
| Maurizio Guarini | .... | musician: keyboards (as Goblin) | |
| Agostino Marangolo | .... | musician (as Goblin) | |
| Antonio Marangolo | .... | musician: saxophone (as Goblin) | |
| Fabio Pignatelli | .... | musician (as Goblin) | |
| Roberto Puleo | .... | musician: guitars (as Goblin) | |
Other crew | |||
| Nick Alexander | .... | dubbing director | |
| Tullio Lullo | .... | production assistant | |
| Maurizio Mancini | .... | production assistant | |
| Walter Massi | .... | production assistant | |
| Hartmut Neugebauer | .... | dialogue director | |
| Daniela Tonti | .... | continuity | |
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| Deep Red | The Bird with the Crystal Plumage | The Case of the Scorpion's Tail | The Cat o' Nine Tails | Black Belly of the Tarantula |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
A crewless ship that's supposedly carrying coffee sails into New York, but when a police officer and some scientists board the ship they discover the gruesome bodies of the crew and plenty of boxes filled with large green eggs. Which explode when the egg warms up and anyone who gets in contact with the substance that shoots out of the egg, explodes as well. So now the government gets involved and the surviving officer, a colonel and an astronaut discover that these eggs may be linked with the disastrous mission to Mars. The more they look into it they discover a conspiracy that threatens the world and leads them to a coffee plantation in Columbia.
Coming straight off the back of the success of "Alien" is an ultra-gooey and clunky delight of a low-budgeted Italian knock-off. And there's no shame about it stealing ideas, but it still does delivers it's own variation to the premise with a modest quota of adventurous aspects and developments that occur on earth. There's even a touch of James Bond about it in the villain and motivation side of things. Actually, the film probably leans more towards that later statement than a fully blooded Sci-fi caper. The ticking time bomb of a story is pretty much pure hokum and there's very little in the way of sense, but it's the dominating grotesque visuals and the intense gallery of cheap thrills that certainly makes this outing lively. That especially goes to the powerhouse opening half involving the first encounter of the very bright green / yellow eggs that go kaboom. A dour note would be that it got a bit too talky in spots with its thick and rather stretch out script, which constantly repeats itself. There's even a shortage of real action, but what made it a little easy to swallow was the sharp sense of irony that found it's way into the dialogues and when it does go for it's gory schlock - it does so in an over-the-top and bravura manner that you couldn't help but find it fun. The cult band Goblin lends a helping hand by providing an out-of-this-world soundtrack that pump along very strongly. While, its budget restraints might show - like the tacky looking alien, but technically it mostly comes off with decently gross make-up effects, eerie sound effects and smoothly displayed photography. The direction by Luigi Cozzi is rather low-key, but he stages some really suspenseful and boot-kicking moments. But the pacing can be quite uneven with some predictable developments. The juicy performances by Ian McCulloch, Louise Marleau and Marino Masé are less than desirable, but they don't overtly hurt the film with their simple and quite daggy characters.
"Contamination" is mostly a bloody, mindless fare that equals a fine if quite nasty romp.