From the sight of a police officer this movie depicts the life in New York's infamous South Bronx. In the center is "Fort Apache", as the officers call their police station, which really ... See full summary »
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
It's about a five member family. The father is a conservative and traditional person who directs the family. The mother is at home, she tries to hold together the family, while Mr. Bridge ... See full summary »
Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Mike Gallagher is a Miami liquor wholesaler whose deceased father was a local mobster. The FBI organized crime task force has no evidence that he's involved with the mob but decide to pressure him perhaps revealing something - anything - about a murder they're sure was a mob hit. The let Megan Carter, a naive but well-meaning journalist, know he is being investigated and Gallagher's name is soon all over the newspaper. Gallagher has an iron-clad alibi for when the murder occurred but won't reveal it to protect his fragile friend Teresa. When Carter publishes her story, tragedy ensues. Needing to make amends, Carter tells Gallagher the source of the first story about him and he sets out to teach the FBI and the Federal Attorney a lesson. Written by
The film's "Absence of Malice" title relates to matters of law where the truth of a story can be irrelevant. If there is no knowledge that a story is false, then the media are absent of malice. If the media have been reasonable and prudent in producing a story, then they are not negligent. As such, the media can say whatever they like about someone and the affected party can do the media no harm (i.e. is powerless to stop them). Democracy is served. See more »
The union workers who struck Michael told him that if their union cards were pulled they would not be able to work anywhere. Florida is a right to work state and you don't need to have a union card to work. They would be considered "scabs" but they would be able to work at any dock in Miami. See more »
Paul Newman and Sally Field, though somewhat opposites both in their roles as Michael Colin Gallagher and Megan Carter respectively and in real Hollywood life, mesh and make believable lovers. Megan tells Michael that she is 30 something and doesn't need courting to play in the hay. Michael retorts, "Maybe I do," and drives away. Megan winds up somewhat of a failure both as a newspaper hound and as a liberated female. Then along comes Wilford Brimley in a bit part and runs away with the show. That's saying a lot since the well chosen cast gives it all they've got including ace jobs by Bob Balaban and Melinda Dillon.
The essence of the film is "What is the nature of truth?" What we read in the paper ain't necessarily so. Jibes are poked at bureaucrats too who certainly have problems determining what is truth. As long as the paperwork looks good then so goes the world. With the Horatio Alger success formula still around in the world of big government and big business, empire builders are a dime a dozen. Usually their asses are saved by cover ups and fall guys. In "Absence of Malice" the innocent victim outsmarts the bureaucrats and the Fourth Estate to bring the house of cards down, certainly an anomaly in the 21th century as it was in 1981, maybe even more so.
Admittedly, the film becomes too preachy at times which not only grates on the nerves but also slows the picture down. Yet the well-written script and Sydney Pollack's knowing direction keep it from becoming a total disaster. Not on the level of Pollack's previous "Three Days of the Condor" or his next feature "Tootsie," "Absence of Malice" still packs a wallop.
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