Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are ... See full summary »
Cuba, December 1958: The professional gambler Jack visits Havana to organize a big Poker game. On the ship he meets Roberta and falls in love with her. Shortly after they arrive in Cuba, ... See full summary »
From the sight of a police officer this movie depicts the life in New York's infamous South Bronx. In the center is "Fort Apache", as the officers call their police station, which really ... See full summary »
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
This movie tells the story of the latter years of Earl Long, a flamboyant governor of Louisiana. The aging Earl, an unapologetic habitue of strip joints, falls in love with young stripper ... See full summary »
It's about a five member family. The father is a conservative and traditional person who directs the family. The mother is at home, she tries to hold together the family, while Mr. Bridge ... See full summary »
Mike Gallagher is a Miami liquor wholesaler whose deceased father was a local mobster. The FBI organized crime task force has no evidence that he's involved with the mob but decide to pressure him perhaps revealing something - anything - about a murder they're sure was a mob hit. The let Megan Carter, a naive but well-meaning journalist, know he is being investigated and Gallagher's name is soon all over the newspaper. Gallagher has an iron-clad alibi for when the murder occurred but won't reveal it to protect his fragile friend Teresa. When Carter publishes her story, tragedy ensues. Needing to make amends, Carter tells Gallagher the source of the first story about him and he sets out to teach the FBI and the Federal Attorney a lesson. Written by
There's really no other word for it. I find the whole of this movie compelling, from Sally Fields' naivete to Paul Newman's innocent who turns the tables on his prosecutors, to the various supporting characters who all have their little niche. The best of all is Wilford Brimley, who gets to chew scenery and totally steal the scene he's in. It's an intelligent drama, addressing a subject as relevant today as it was in '81, with just enough humor to leaven the whole thing.
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