From the sight of a police officer this movie depicts the life in New York's infamous South Bronx. In the center is "Fort Apache", as the officers call their police station, which really ... See full summary »
Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are ... See full summary »
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Cuba, December 1958: The professional gambler Jack visits Havana to organize a big Poker game. On the ship he meets Roberta and falls in love with her. Shortly after they arrive in Cuba, ... See full summary »
This movie tells the story of the latter years of Earl Long, a flamboyant governor of Louisiana. The aging Earl, an unapologetic habitue of strip joints, falls in love with young stripper ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Mike Gallagher is a Miami liquor wholesaler whose deceased father was a local mobster. The FBI organized crime task force has no evidence that he's involved with the mob but decide to pressure him perhaps revealing something - anything - about a murder they're sure was a mob hit. The let Megan Carter, a naive but well-meaning journalist, know he is being investigated and Gallagher's name is soon all over the newspaper. Gallagher has an iron-clad alibi for when the murder occurred but won't reveal it to protect his fragile friend Teresa. When Carter publishes her story, tragedy ensues. Needing to make amends, Carter tells Gallagher the source of the first story about him and he sets out to teach the FBI and the Federal Attorney a lesson. Written by
At around the time the picture launched in theaters, lead actor Paul Newman said: "I would say that 90% of what people read about me in the newspapers is untrue. Ninety percent is garbage. [Reporters] are expected to come up with something sensational every night of the week to keep their readers' noses buried in the pages, and, well, you tell me. If nothing's happening, what do you do? Well, in their case, they make it up." See more »
Other date continuity errors: After Meghan says that the year is 1981 and Michael prints a cashier's check dated Dec. 11, 1980, Meghan gives him the clipping announcing that the investigation is off; the clipping is dated November 22, 1980. Still later Michael gets another cashier's check dated December 16. See more »
Paul Newman and Sally Field, though somewhat opposites both in their roles as Michael Colin Gallagher and Megan Carter respectively and in real Hollywood life, mesh and make believable lovers. Megan tells Michael that she is 30 something and doesn't need courting to play in the hay. Michael retorts, "Maybe I do," and drives away. Megan winds up somewhat of a failure both as a newspaper hound and as a liberated female. Then along comes Wilford Brimley in a bit part and runs away with the show. That's saying a lot since the well chosen cast gives it all they've got including ace jobs by Bob Balaban and Melinda Dillon.
The essence of the film is "What is the nature of truth?" What we read in the paper ain't necessarily so. Jibes are poked at bureaucrats too who certainly have problems determining what is truth. As long as the paperwork looks good then so goes the world. With the Horatio Alger success formula still around in the world of big government and big business, empire builders are a dime a dozen. Usually their asses are saved by cover ups and fall guys. In "Absence of Malice" the innocent victim outsmarts the bureaucrats and the Fourth Estate to bring the house of cards down, certainly an anomaly in the 21th century as it was in 1981, maybe even more so.
Admittedly, the film becomes too preachy at times which not only grates on the nerves but also slows the picture down. Yet the well-written script and Sydney Pollack's knowing direction keep it from becoming a total disaster. Not on the level of Pollack's previous "Three Days of the Condor" or his next feature "Tootsie," "Absence of Malice" still packs a wallop.
9 of 12 people found this review helpful.
Was this review helpful to you?