This is the sequel to the mini-series, RICH MAN, POOR MAN. It begins with Rudy Jordache apprehending the man who killed his brother, Falconetti. He then also takes in his nephew, Wesley. He... See full summary »
James Carroll Jordan
This is the story of Peter I, Tsar of Russia from 1682, and the constant struggle between him, his sister Sophia and the Streltsy, an important Russian military corp. The story depicts the ... See full summary »
This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his ... See full summary »
The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging ... See full summary »
A 1988 television adaptation of Robert Ludlum's thriller. An injured, unconscious man (Richard Chamberlain) washes ashore in a small French town. As he recovers, it becomes quite clear, someone is trying to kill him. Jaclyn Smith co-stars.
Flavius Silva, commander in Roman Judea, wants to reach a reasonable compromise with the Jewish Zealots and withdraw his legion. Events and personalities in Rome, however, lead to his besieging the fortress of Masada. There the engineering genius of the Romans must fight both the harsh climate and landscape, and the passion and ingenuity of Eleazar Ben Yair and his people. Written by
In his opening monologue on April 7th 1981, Johnny Carson described the miniseries Massada as a "Kosher Shogun." After watching the series, Carson joked that he learned all Romans spoke with an English accent. See more »
When Eleazar and his party descend down the mountain during their nighttime mission, notice their feet. All of them appear to be wearing 20th century sneakers. See more »
Eleazar ben Yair:
You say you will catch us, and kill us? I invite you to try.
Cornelius Flavius Silva:
You invite me to try? Your country is one long and narrow graveyard already; your cities are flatter than your deserts, your temple has been destroyed and most of the survivors are slaves, all for seven years of our 'trying'. Give us our due, man, we know how to kill.
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Honor is due all around. First, credit must go to Joel Oliansky, who developed Gann's slender book into full-range drama with wit and wisdom. Boris Segal directs a huge cast so well, and so unobtrusively...You never wonder where you are, or which side you're listening to; there are so many characters that are memorable, even if they only have two lines...It's the best performance of Peter Strauss's career, and one of O'Toole's crown jewels. Jerry Goldsmith can furnish haunting melodies and epic marches. In short, nobody in this miniseries has fallen down on the job...
Except for ABC, who took more than a decade to get it out of the vault and onto videotape, and still hasn't gotten "Masada" put on DVD.
The strongest kind of drama is when you can sympathize with both sides; Silva has been saddled with irrational orders for a military conquest (sound familiar?) where none is possible - or even necessary. Eleazar knows only one thing for sure: "No man should be another man's slave." But Rome must prove a point. Rome cannot allow defiance to succeed; the Jewish zealots cannot submit to Roman enslavement. "You can take their victory from them." Mesmerizing...and well worth your time.
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