In this spin-off from the World war II resistance-series "Secret Army", the tables turn: ambitious, cruel Gestapo-officer Ludwig Kessler, the most implacable Nazi hunter of every opponent ...
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In this series, inspired by real events during World War II, the kind, intelligent and worrisome Albert Foiret runs both a café, which is the only notable public house in a small Belgian ... See full summary »
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
In WW2 France, Rene Artois runs a small café where Resistance fighters, Gestapo men, German Army officers and escaped Allied POWs interact daily, ignorant of one another's true identity or presence, exasperating Rene.
In this spin-off from the World war II resistance-series "Secret Army", the tables turn: ambitious, cruel Gestapo-officer Ludwig Kessler, the most implacable Nazi hunter of every opponent to the Reich, can no longer deny its rule is militarily annihilated by the Allies. He must now flee himself, being a first-rate war criminal responsible for numerous torture- and execution victims, but manages to get away with a fortune and starts a new life as a businessman, still hoping for another rise of the master race to power, in which his part should be even more prominent, from a (neo-)fascist colony in Paraguay. Meanwhile Albert Foiret, his former elusive chief of prey, and some of his collaborators now play a part in the hunt for the former master-hunter... Written by
The creators of this series originally intended to set it in an earlier decade - the 1960's - but the BBC objected on the grounds that this would cost more than a contemporary setting. The writers were told that it was deemed too expensive to hire 'period-appropriate' clothes, cars, props and locations; when they pointed out that the Kessler character would be quite ancient by the dawn of the 1980's (not to mention further removed from the events of "Secret Army"), the BBC executives apparently replied:"who cares, nobody will notice". Thus the cast and those behind the camera began the project with legitimate misgivings.
In "Secret Army", Kessler had a romantic relationship which made the character three dimensional and showed that even a cruel Nazi bigot had human dimensions. At the time, some people at the BBC felt that this factor might inspire too much sympathy for Kessler. Perhaps the Corporation's fear of the SS man being hero-worshipped explains why his loving companion makes no appearance in the subsequent series?
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