Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Norman Buntz, the gruff (and somewhat ethically questionable) detective from "Hill Street Blues" (1981) leaves the anonymous inner city and heads to the sunny climes of Southern California ... See full summary »
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law." Written by
Co-creator Steven Bochco described the production process this way: "We didn't know what the hell we were doing. We were figuring it out on the fly." See more »
When the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone. See more »
An American cop show - who'd have thought an American cop show of all things could exemplify the best of television. From the land that gave us the pits of tv (have you seen Donahue?) there comes, once in a while, a beacon of greatness. The last episode of M*A*S*H, and the whole of HSB make the invention of television worthwhile.
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