Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
Norman Buntz, the gruff (and somewhat ethically questionable) detective from "Hill Street Blues" (1981) leaves the anonymous inner city and heads to the sunny climes of Southern California ... See full summary »
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law." Written by
The phone number for the station house is 555-8161. See more »
When the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone. See more »
In the days of E.R and NYPD Blue, it's hard to remember just how ground-breaking a show HSB was. Nothing like it had ever been seen before. The quality of the acting and writing, the documentary look and feel, the seedy broken down environment, the brutally frank situations and language (for the time), the fact that the "bad" guys got away with it as often as not, the huge ensemble cast, the long one-take scenes, the unhappy endings etc. etc.
Needless to say, the American people wanted nothing to do with such quality at first - until it won a record number of Emmys and they couldn't ignore it anymore. If nothing else, this series proved to the networks that quality can sell soap after all.
If you like your E.R. think a kind thought for Hill Street Blues - the series that made it all possible.
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