After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but ... See full summary »
When Marine Nicolas Brody is hailed as a hero after he returns home from eight years of captivity in Iraq, intelligence officer Carrie Mathison is the only one who suspects that he may have been "turned".
The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; ... See full summary »
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law." Written by
Co-creator Steven Bochco described the production process this way: "We didn't know what the hell we were doing. We were figuring it out on the fly." See more »
During the opening credits when the police cars pull out of the garage, one of them has the overhead light bar on backwards. You can see that the others have the siren speakers between the lights facing front, while one has it facing to the trunk. See more »
An American cop show - who'd have thought an American cop show of all things could exemplify the best of television. From the land that gave us the pits of tv (have you seen Donahue?) there comes, once in a while, a beacon of greatness. The last episode of M*A*S*H, and the whole of HSB make the invention of television worthwhile.
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