After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but ... See full summary »
When Marine Nicolas Brody is hailed as a hero after he returns home from eight years of captivity in Iraq, intelligence officer Carrie Mathison is the only one who suspects that he may have been "turned".
The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; ... See full summary »
Detective Sergeant Rick Hunter and his partner, Sergeant Dee Dee McCall, are homicide investigators with the Los Angeles Police Department. Often they must go undercover to catch a variety ... See full summary »
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law." Written by
The theme music to the show written by Mike Post became a hit song and won a Grammy. Post said that when he was writing the theme, at first he wanted the music to match the gritty visuals he was shown. He then decided to instead do the opposite, to create a theme that was beautiful, that "took you away" from what you were seeing a bit. See more »
When the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone. See more »
In the days of E.R and NYPD Blue, it's hard to remember just how ground-breaking a show HSB was. Nothing like it had ever been seen before. The quality of the acting and writing, the documentary look and feel, the seedy broken down environment, the brutally frank situations and language (for the time), the fact that the "bad" guys got away with it as often as not, the huge ensemble cast, the long one-take scenes, the unhappy endings etc. etc.
Needless to say, the American people wanted nothing to do with such quality at first - until it won a record number of Emmys and they couldn't ignore it anymore. If nothing else, this series proved to the networks that quality can sell soap after all.
If you like your E.R. think a kind thought for Hill Street Blues - the series that made it all possible.
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