A pair of strangers, liberal high-school teacher Ralph Hinkley and right-wing FBI agent Bill Maxwell, have a close encounter in the Southern California desert one night with "little green men", who give our heroes a red superhero suit. The suit works only for Ralph, and the two, accompanied by Ralph's cute lawyer girlfriend Pam, reluctantly team up to battle criminals. Problems ensue when Ralph loses the suit's instruction book, so he had to master the suit's powers on his own. Written by
Marty McKee <firstname.lastname@example.org>
William Katt said that at the start of the series he and Robert Culp had difficulties getting along and working with each other. Katt added they were able to use that to their advantage as their relationship reflected the one portrayed between their respective characters. Katt and Culp were able to resolve their differences and actually became good friends over the course of the series. See more »
She may be your girlfriend but she's my counselor and nobody messes with her. That's it.
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During the opening credits of the pilot "Greatest American Heroine", the three-note NBC theme is heard as the letters "i-n-e" appear one at a time on screen. (An in-joke as NBC was the network the series was being pitched to at the time) See more »
I remember The Greatest American Hero, I adored this hilarious series about ordinary guy Ralph Hinkley getting a magical supersuit from aliens (little green-guys) back in the 80's. Conceived by the legendary TV giant Stephen J. Cannell, this is the kind of show that when you think back on it gives you all kinds of warm and fuzzy feelings inside. It just makes you feel good and reminds you how wildly imaginative and cool television was in the 80's. I'm glad to see I'm not alone in remembering this show that was cut down way too early. 2 years on the air just wasn't enough. The Greatest American Hero was made in the early 80's, when the trials and tribulations of the 1970's were still somewhat fresh on peoples minds. After the Vietnam War, high gas prices, Nixon-Watergate, and two more lousy presidents, the very idea that a man in underwear and flaky cape could run around saving the world like Superman or Batman was seen as a complete joke. This was an original and great idea to explore. One word to describe the way the series approached this idea would be "smart", like Star Trek this show seemed to have a definitive intelligent and creative force behind it. It was more of a human drama/comedy then a straight up conventional superhero show. What would happen to a regular person if they were given a magical superhero outfit? What would happen if they lost the instruction manual and didn't know how to use the goofy looking costume? The way people treated Ralph (they thought he was a nut) when they saw him in his super suit is probably the way people would react in real life if they came across a man dressed as a superhero. This series never seemed to get its just dues back in the early 80's, OK so The Greatest American Hero wasn't Mozart or The Great Gatsby. It was middle brow entertainment like many other crime and adventure shows, but it was very well made middle brow entertainment. It was smart and the witty dialogue in this show rivals any of the "more adult" TV shows from it's time. I do remember getting grief from my older siblings and cousins who never got the joke of The Greatest American Hero for liking it, they would purposefully sing the theme song 'Believe it or Not' off key to annoy me, "Look at what's happened to me...". I so wanted to hit my older sister when she did that. Ralph wasn't a wimp he was an ordinary man put into extraordinary situations, so he reacted like a regular guy would. Hence his screaming like a banshee would he couldn't control the suit in mid air. Others here have pointed out the many problems The Greatest American Hero had to put up with during it's brief 2 years on the air, one I would like to mention was it was constantly yanked around on its schedule. It may be cliché to repeatedly call ABC or any other network 'villains' when talking about how they shafted a particular TV series, but in this case it really is true. In the beginning the series was perfectly aired on Wednesday nights, but then for whatever reason the network moved it to Thursday nights, and then finally it was shifted to the death slot of Friday nights were it was beat up in the ratings by the real kids shows like The Dukes of Hazzard and Knight Rider. The Greatest American Hero was written with children in mind but was not soley targeted at kids. Without a teenage to adult audience to sustain it, the series died a quiet death at the hands of ABC. I hope that one day we see a return of The Greatest American Hero.
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