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God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to... See full summary »
Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »
The Greek muses incarnate themselves on Earth to inspire men to achieve. One of them, incarnated as a girl named Kira, encounters an artist named Sonny Malone. With the help of Danny McGuire, a man Kira had inspired forty years earlier, Sonny builds a huge disco roller rink. Written by
Randy Goldberg <firstname.lastname@example.org>
The original budget was $4 million, but costs rose to $13 million. Universal head Ned Tanen fired Joel Silver, who immediately went to work for his friend and mentor Lawrence Gordon, who was also a producer on the film, and put Joel Silver back on the project. See more »
When Sonny discovers Kira skating on the floor of the Xanadu building, he calls "You!" from the balcony above. Kira's repartee is "Me," which she says as her face is set towards the ground. Immediately after, she looks up at Sonny and can be seen silently mouthing the same line. See more »
A place where nobody dared to go / the love that we came to know / They call it Xanadu / And now, open your eyes and see / what we have made is real / We are in Xanadu / A million lights are dancing and there you are, a shooting star / An everlasting world and you're here with me, eternally / Xanadu / Xanadu / now we are here in Xanadu / Xanadu / Xanadu / now we are here in Xanadu / Xanadu, your neon lights will shine for you, Xanadu / The love, the echoes of long ago / you needed the world to ...
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"THE END" comes up on the screen, in big old fashioned letters, before the end credits. See more »
XANADU is one of the most critically and commercially panned films in Hollywood history, a 'Nouveau Art' musical with Art Deco themes, a weirdly conceived animated interlude, and performances of such widely varying caliber that a viewer might wonder if the actors were all reading from the same script! But all that being said, I would like to offer a minority opinion, and say that I didn't find the film THAT terrible, and there are some aspects of it I actually enjoyed...
First and foremost, it offers the legendary Gene Kelly, in his last musical, as charming and wonderful as ever. As retired musician/businessman Danny McGuire, Kelly has the film's best moments, including a 'classic' song-and-dance scene with Olivia Newton-John and some silly but endearing 'post-disco' routines with the talented young dancers of the cast (including future CONAN star Sandahl Bergman). Seeing him on roller-skates again, leading everyone around the club he builds, to the music of the Electric Light Orchestra, makes one realize just how irreplaceable he is. Kelly could do it all, and with style!
The premise of the film, of a Muse coming from Olympus to inspire an artist, is far-fetched, but had been done on film several times in the past (ONE TOUCH OF VENUS, with Ava Gardner and Robert Walker, and DOWN TO EARTH, with Rita Hayworth, are the examples most often cited), and while Olivia Newton-John is oddly cast in the role, she tackles it gamely, with a smile and a wink, and isn't THAT bad. On the other hand, Michael Beck, best-known as the gang leader in cliched but powerful THE WARRIORS, is totally miscast as the artist she falls in love with. An actor with limited range and no singing or dancing talent, Beck lacks the charisma to pull off the role (one wonders why British pop star Cliff Richard, who voices Beck's animated duet with Newton-John, 'Suddenly', wasn't utilized to play the part).
While the film often veers off in bizarre directions, the 'Battle of the Bands' scene between popular 80s rockers, the Tubes, and a 'Tommy Dorsey/WWII'-style orchestra (as Beck and Kelly envision what the 'look' and 'sound' of their club, XANADU, should be), actually works, and is fun to watch. The entire score, by Barry De Vorzon and John Farrar, and Jeff Lynne (with ELO) is terrific (and made the soundtrack album a hit).
Sure, the ending is hokey, but it was also the same ending of ONE TOUCH OF VENUS and DOWN TO EARTH, so XANADU can't be totally faulted!
All in all, XANADU isn't the WORST film ever made, and if you give it a chance, you might find it a guilty pleasure!
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