Feature length comedy about Richard Butler, a reclusive writer who becomes trapped inside his own novel. Surrounded by characters from his best selling pulp books Richard undergoes a ... See full summary »
God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to... See full summary »
In 1979 a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them down to kill them.
The Greek muses incarnate themselves on Earth to inspire men to achieve. One of them, incarnated as a girl named Kira, encounters an artist named Sonny Malone. With the help of Danny McGuire, a man Kira had inspired forty years earlier, Sonny builds a huge disco roller rink. Written by
Randy Goldberg <firstname.lastname@example.org>
During "Whenever You're Away From Me," the tap dancer's movements are out of sync with the tapping sounds. See more »
I've come to take you out of here.
It can't be done. No one's ever taken anyone out of here. Not in the whole history of... the whole history!
I'll make them let you go. Zeus! Zeus, you hear me?
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Opens with the 1930s-era Universal logo, with an airplane circling a globe; then it becomes a 50s-era passenger plane, then the Concorde, then the fourth time around as it becomes a spaceship. Instrumentals of "Whenever You're Away From Me" and "Xanadu" play under this, with musical styles matching the period of each aircraft. See more »
A word of advice to any movie producer: if you have a big-budgeted production that you hope will become a hit, don't hire a director whose only previous experience is on TV. Director Robert Greenwald had directed only TV movie dramas before being assigned to this job, and it shows painfully. The camera either stays still or moves slowly and gracefully, when they should have flung it around and experimented with camera angles to create some oomph for the movie-going audience to feast upon. The only department that really tried here was the art department that created the arty scene-shifts with the accompanying sound effects, and the neon-colored special effects flashing around Kira and the other muses. Don Bluth also provided an animated sequence that offers the only magical moment in the whole film - makes you wish the whole movie had been made in the same style. That would have had so many advantages: the whole superficial story would have been easier to take for instance. Michael Beck would have had a movie career, and we would have been spared from watching "Oh-I'm-so-cute-but-so-poor-at-moving-my-legs-around" Olivia in a second film (or maybe not).
That said, I'm particularly ashamed to admit that I actually like "Xanadu". Very much. The music is the main reason - years before I had seen this film or even heard of it, I had heard "Magic" in the radio, and managed to get a two-minute snippet of it on tape, thinking it was an Abba song I hadn't heard before (no, I'm not an Abba fan - they have a few good songs, but I hate their albums). One day years later, "Xanadu" was on TV in the hotel room I stayed at during a holiday in Sweden - and I happened upon the very scene where "Magic" is heard, where Sonny meets Kira for the first time. Sadly, I couldn't stay to watch the rest, but I immediately wanted to catch the film from beginning to end. Now I have it on tape, and I regularly pop it on my VCR and enjoy the pretty photography, beautiful music, and the irresistibly corny 1980 kitsch "Xanadu" is so chock-full of. A guilty pleasure of the highest magnitude - after all, I'm a nostalgia freak and always will be one.
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