A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownest to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. ... See full summary »
An alien is sent on a secret mission to Earth, where she appears as a gorgeous, attractive, and single lady. Her mission is to make contact with a rather nerdy young scientist, who's quite ... See full summary »
A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownest to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. Luckily, our film creator gets the help of his friends. Written by
Magnus Y Alvestad <email@example.com>
This movie is based on a three-minute demo reel Mike Jittlov made in 1977 in an attempt to get a job at Disney Studios. See more »
Set in 1977, features The Evil Dead (1981) (released in 1981) on a theatre marquee. This is only viewable in fullscreen versions, as letterboxing corrects this. See more »
Look, you work with me, I expect a pro. You don't even shake hands; you oughta see a shrink!
Miss Belair, if you feel compelled to grab part of my body and shake it before you can even be friendly, you've got far worse problems than you think I have.
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In the section where they attribute other copyrights to their respective holders, the roman numerals are "expanded" to forms that use more letters than they have to. See more »
What began as a three minute student film has become a cult classic that seems to snowball with the years. Mike Jittlov, film-maker/animator/writer/director/editor/co-producer/calligrapher/cult figure and iconoclast, created this cultural cul-de-sac as almost a love story to film-making. The sequence where he applies for various Union memberships to complete his film is probably too close to the truth, and the hyper-kinetically edited sequence near the end of the film is a wonder to behold.
Bootleg copies of the (now long out-of-print) SGE release have been passed around fandom like pieces of the true cross, and the popularity of the film, as well as it's creator, only grows stronger.
This film should be required viewing for all film students, as well as those who want to know how to make a film on a low budget (and how there are many sharks in the waters of Hollywood, which this film so clearly points out).
Hunt down this film (copies can be had in one form or another, check the related websites), watch it, and cherish it. You may end up wearing out the pause and slow-scan buttons on your VCR trying to figure out how he did these special effects without a computer!
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