A remake of 1944's Lon Chaney film Weird Woman (the first was Burn, Witch, Burn! in 1962) is more of a horror spoof, as three women use witchcraft to help their professor husbands further ...
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When her lover is killed, the wife of a wealthy man is convinced to fake her own death, which leads her into greater depths of depravity until fate reunites her with her long-lost son, who is unaware of her real identity.
David Lowell Rich
A remake of 1944's Lon Chaney film Weird Woman (the first was Burn, Witch, Burn! in 1962) is more of a horror spoof, as three women use witchcraft to help their professor husbands further their careers. When a higher position becomes available in the university, they turn on each other, and no one is safe! Written by
John N. Daily
Silliness about a group of faculty wives using witchcraft to advance their husbands careers. Picks up and drops ideas willy-nilly although it isn't completely without an ultimate goal. But the picture becomes increasingly ridiculous as it progresses.
Odd to see gifted comedienne Teri Garr in such as this, although it is played initially with a light touch. She's not bad but it doesn't play to her strengths, she was however still working her way up so probably taking whatever was offered. She's also a peculiar match with Richard Benjamin, who spends what seems an inordinate part of the movie in various states of undress, their styles don't mesh very well.
This was Lana Turner's cinematic screen swan song. While its not the horrifying train wreck that some Golden Age stars, Joan Crawford, Veronica Lake etc., were subjected to it's hardly the sort of film a legendary star should be exiting the stage in. She does look glamorous throughout until script dictates strip her of her trappings, an oasis of pizazz in a sea of slack suits.
Worth catching for the two lead actresses if you're a fan of either but strictly a mediocrity.
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