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Where the Buffalo Roam (1980)

R  |   |  Biography, Comedy  |  25 April 1980 (USA)
6.7
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Ratings: 6.7/10 from 8,625 users  
Reviews: 55 user | 22 critic

Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.

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(stories) (as Dr. Hunter S. Thompson) , (screenplay)
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Cast

Cast overview, first billed only:
...
Lazlo
...
...
...
Harris (as René Auberjonois)
...
Judge Simpson
Danny Goldman ...
Porter
Rafael Campos ...
...
Desk Clerk
Leonard Gaines ...
Super Fan
...
Man #1 (as De Wayne Jessie)
...
Dooley
Jon Shear ...
Billy Kramer (as Jon Matthews)
...
Willins
Quinn K. Redeker ...
Pilot (as Quinn Redeker)
Lisa Taylor ...
Ruthie
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Storyline

The deranged adventures of Gonzo journalist Hunter Thompson and his attorney Oscar Acosta, referred to in the movie as "Laslow". Thompson attempts to cover the Super Bowl and the 1972 Presidential election in his typical drug-crazed state, but is continually and comically sidetracked by his even more twisted friend Laslow. Allegedly based on actual events. Written by John Rumpelein <usviking@imageek.york.cuny.edu>

Plot Summary | Plot Synopsis

Taglines:

Based on the twisted legend of Hunter S. Thompson See more »

Genres:

Biography | Comedy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 April 1980 (USA)  »

Also Known As:

Ahol a bölény dübörög  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

To get into character, Bill Murray spent time with Hunter S. Thompson by drinking, shooting and generally having a great time at Thompson's Colorado ranch. After filming ended, Murray continued to act "Gonzo" through the beginning of the next season of Saturday Night Live (1975), to the annoyance and consternation of cast and crew members. See more »

Goofs

(at around 1h 10 mins) When Thompson addresses the college students in the auditorium, he lights a joint with a Bic lighter. The scene took place in 1972, and the Bic disposable lighter wasn't invented until 1973. See more »

Quotes

Lazlo: Like a lot of people thought I was dead but, uh... hey you know you don't write any postcards when you're on the road to self-discovery.
See more »

Connections

Referenced in Rushmore (1998) See more »

Soundtracks

Home Home On The Range
Music by Daniel E. Kelley and lyrics by Brewster M. Higley
Performed by Neil Young
See more »

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User Reviews

 
The man vs. the myth.
12 May 2004 | by (Springdale, Arkansas) – See all my reviews

Fist of all, as far as the comparison to Fear & Loathing In Las Vegas (1998) goes, these films are completely different beasts. Fear & Loathing is a adaptation of a fictional work based on real events. Johnny Depp and Benicio Del Toro are playing Raoul Duke and Dr. Gonzo, not Hunter S. Thompson and Oscar Zeta Acosta. They are playing caricatures of real people, indirect representations funneled through HST's imagination and exaggeration. Where The Buffalo Roam is more based in reality. Bill Murray is directly playing Hunter S. Thompson as he writes his writings, Johnny Depp played a character from his writings, there is a massive difference. And as such, in my opinion, both films succeed brilliantly. Fear & Loathing In Las Vegas is a visually dazzling, imaginative, cinematic adaptation of HST's novel and Where The Buffalo Roam is a quirky, splendidly fun quasi-biographical journey and pure snapshot of life.

Bill Murray is fantastic in this film. His portrayal of HST is taken from life, more realistic, more from the man rather than from his text or the legend of HST. The whole film itself, mainly because of Murray's characterization and the realistic structured style of the abrupt interconnected randomness of everyday life, is infused with a undying sense of fun and love for words, imagination, writing, and the whole creative process, which seems to me to get more to the core of HST as a man than the various vignettes of Fear & Loathing.

Where The Buffalo Roam is wildly entertaining, frenziedly hilarious, and immeasurably fun. But when the general viewing audience, who presumably do not have a true passion for HST and his works, views both films and are given the choice between the legend and the man, they more often choose the legend, which is usually the trend in history.

Whereas Fear & Loathing In Las Vegas has a romance for the stories and the myth, Where The Buffalo has a romance for the man and the process, and both have it for his personal style, politics and priorities.


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