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The True Story of the Nun of Monza (1980)

La vera storia della monaca di Monza (original title)
Sister Virginia de Leyva becomes the new Mother Superior at the convent of Monza. Said convent turns out to be a veritable hotbed of sinful carnality and depravity. Debauched priest Don ... See full summary »

Director:

(as Stefan Oblowsky)

Writer:

(screenplay) (as Claudio Fracassi)
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Cast

Cast overview:
Zora Kerova ...
Mario Cutini ...
Paola Corazzi ...
Sister Candida
Tom Felleghy
Franco Garofalo ...
Don Paolo Arrigone
Annie Carol Edel ...
Aurelia (as Annie Karol Edel)
Paola Montenero ...
Sister Benedetta
Mario Novelli ...
Molteno
Ornella Picozzi ...
Nun loving blindfold man
Leda Simonetti ...
Margherita
Franca Stoppi ...
Mother Superior
Giovanni Attanasio ...
Reverend Father
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Storyline

Sister Virginia de Leyva becomes the new Mother Superior at the convent of Monza. Said convent turns out to be a veritable hotbed of sinful carnality and depravity. Debauched priest Don Arrigone and lecherous womanizer Giampaolo Osio plot to seduce sister Virginia. But will their wicked and lustful actions continue to go unnoticed? Written by Woodyanders

Plot Summary | Plot Synopsis

Taglines:

What happened within the walls of the convent of Monza ... she will never ever forget.

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

3 July 1980 (Italy)  »

Also Known As:

The True Story of the Nun of Monza  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(DVD)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Don Paolo Arrigone: Listen... it's all over with that girl Aurelia, right?
Giampaolo Osio: It's exciting while they resist, but later on they cling to you...
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Connections

Referenced in I'm an Actress! (2009) See more »

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User Reviews

Not completely terrible
2 April 2010 | by (Denver, Colorado and Santiago, Chile) – See all my reviews

I got this recently as part of the "Nunsploitation Box Set" (yes, there really is such a thing), and I was disappointed because I thought this was the original late 60's "Nun of Monza", the film that really inspired the whole modern "nunsploitation" genre. Actually though, it's the later 80's version by the immensely untalented Bruno Mattei. Mattei is a considered by many to be a "sleazemeister". Well, the "sleaze"part might be right, but he's not a "meister" of anything. Besides, plenty of TALENTED Italian directors were positively wallowing in sleaze by the early 80's. All Mattei really brought to the party was a staggering cinematic ineptitude.

For a Mattei film though, this isn't that bad. He actually sticks pretty much to the classic story of the nun of Monza, who is put in a convent by her wealthy father, rises to a position of power within the convent after her father's death, and brings about her own downfall when she gets involved with a man. There are,of course, some exploitative digressions--an orgy here, some gratuitous hardcore horse porn there. There's a priest who takes confession dressed in a red devil outfit (he's just come from an orgy, you see) and then tries to rape the penitent nun. The priests here are ridiculously horny (and for women--I don't know where all the altar boys are). This probably resembles contemporary sex romps like Joe D'Amato's "Images in a Convent" more than it does the original, no doubt more serious "Nun of Monza", but for better or worse it lacks a lot of the supernatural hokum of the D'Amato film. And god knows it's better than Mattei's truly unwatchable follow-up "The Other Hell".

It's interesting to see Eastern European actress Zora Kerova in a lead role. Kerova was kind of (to put it frankly) a perennial piece of ass in various Italian sleaze classics like "Terror Express". "Escape from a Women's Prison", "Cannibal Ferox", and "The New York Ripper". She was probably better suited to that, but she's not completely terrible here. I'm sure Anne Heywood was better in the original movie (and she certainly is in "Nuns of Archangel", which is also in the box set). The movie itself is not completely terrible, and back-handed as it is, that's a genuine compliment for a Bruno Mattei flick.


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