| Walter George Alton | ... | Prof. Tony Farms / Puma Man | |
| Donald Pleasence | ... | Kobras (as Donald Pleasance) | |
| Miguel Ángel Fuentes | ... | Vadinho (as Miguel Angel Fuentes) | |
| Sydne Rome | ... | Jane Dobson | |
| Silvano Tranquilli | ... | Dobson | |
| Benito Stefanelli | ... | Rankin - Kobras' Lieutenant | |
| Guido Lollobrigida | ... | Mustachioed Henchman | |
| Peter Cellier | ... | Museum Curator | |
| Geoffrey Copleston | ... | Sir George Bradley (as Jeffrey Coppleston) | |
| rest of cast listed alphabetically: | |||
| Omero Capanna | ... | Kobras Man (uncredited) | |
| Giovanni Cianfriglia | ... | Thug (uncredited) | |
| Edward Mannix | ... | Rankin (voice: English version) (uncredited) | |
| Nello Pazzafini | ... | Hitman (uncredited) | |
| Angelo Ragusa | ... | Thug (uncredited) | |
| Franco Ukmar | ... | Kobras Man (uncredited) | |
Directed by | |||
| Alberto De Martino | |||
Writing credits(in alphabetical order) | ||
| Luigi Angelo | screenplay | |
| Alberto De Martino | story | |
| Massimo De Rita | screenplay | |
Original Music by | |||
| Renato Serio | |||
Cinematography by | |||
| Mario Vulpiani | |||
Film Editing by | |||
| Vincenzo Tomassi | |||
Production Design by | |||
| Antonio Visone | |||
Costume Design by | |||
| Mario Giorsi | |||
Makeup Department | |||
| Sergio Gennari | .... | key hair stylist | |
| Stefano Trani | .... | chief makeup | |
Production Management | |||
| Giuseppe Auriemma | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claudio Marson | .... | second assistant director | |
| Joe Pollini | .... | first assistant director | |
Sound Department | |||
| Roberto Alberghini | .... | sound engineer | |
| Michael Billingsley | .... | sound editor | |
| Fernando Caso | .... | special sound effects | |
| Gianni D'Amico | .... | sound mixing engineer | |
| Alvaro Gramigna | .... | special sound effects | |
| Mario Morigi | .... | sound recordist | |
Special Effects by | |||
| Mauro Grilli | .... | special effects | |
Visual Effects by | |||
| Mario Bernardo | .... | special optical effects | |
| Ermando Biamonte | .... | traveling mattes | |
Camera and Electrical Department | |||
| Emilio Lari | .... | set photographer | |
| Maurizio Maggi | .... | camera operator | |
| Filippo Neroni | .... | focus puller | |
Costume and Wardrobe Department | |||
| Luciana Mancini | .... | wardrobe | |
Editorial Department | |||
| Giancarlo Tiburzi | .... | assistant editor | |
| Pietro Tomassi | .... | assistant editor | |
Music Department | |||
| Renato Serio | .... | conductor | |
Other crew | |||
| Gioia Donati | .... | script girl | |
| Georgio Ferrari | .... | spaceship realizer | |
| Otello Tomassini | .... | production accountant | |
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| Fantastic 4: Rise of the Silver Surfer | The Incredibles | The Black Widow | Superman | Avatar |
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| Full cast and crew | Company credits | External reviews |
| IMDb bottom 100 movies | IMDb Action section | IMDb Italy section |
Puma Man - who is he? Why is he here? Where did he come from? Why is he a manic-depressive?
All of these questions - or at least most - can be answered by watching "L'uomo puma" (or "Puma Man", as I know it). Made (solely) to cash in on the "Superman" craze, this comes in at just barely more tolerable than "The Indian Superman" (never seen that one? Check out "Stomp Tokyo").
Seems Aztec priest Vadinho ("an onion?") is throwing guys out of high-rise windows all over London to see which one is a super hero. Well, if there's no better way to find out.... Then he comes upon college professor Tony Farms (Alton, whom you probably haven't seen since those old "dry look" commercials), who survives a three-story fall quite nicely. Vadinho then bestows a magic belt on him that grants Tony the heroic powers of a puma.
Okay...stop there. Comparison time. Tony jumps, pumas jump. Tony claws things, pumas claw things. Tony flies, pumas.... Aah, there, SEE? Of course, if a puma was going through the air, it would probably flail its limbs all around and have its butt up the air, too.
Anyway, Tony's first assignment: stop the evil Kobras (Pleasance!!) from taking over the world by staring at people through an aluminum foil mask and controlling their minds with papier-mache mock-ups of their heads (poor representations, too), and while wearing leather S&M suits or silver nehru jackets. Oh Donald, what were you thinking? "Paycheck", no doubt.
Everything here suggests the film-makers were trying to attain the lofty heights of "Superman"; but this group doesn't even get close to "Super Mario Brothers" territory.
Love the disco soundtrack, though, as well as the special FX (no more special than back projection technology) and that perplexed look Donald Pleasance has on his face throughout the film. Maybe he was expecting Steve McQueen to drop by and help him escape?
At any rate, MST3K is the safest, least harmful way to witness the disaster that is "Puma Man". For certain, Mike and the robots supply the best dialogue (favorite - "Couldn't control me bladder - sorry, mate!")
Three stars for "L'uomo puma" (for sheer joy in its stupidity), and ten stars for the MST3K version.
Catch it, just to see what puts the "poo" in "Puma Man".