| Tim Curry | ... | Johnny LaGuardia | |
| Trini Alvarado | ... | Pamela Pearl | |
| Robin Johnson | ... | Nicky Marotta | |
| Peter Coffield | ... | David Pearl | |
| Herbert Berghof | ... | Dr. Huber | |
| David Margulies | ... | Dr. Zymansky | |
| Anna Maria Horsford | ... | Rosie Washington | |
| Michael Margotta | ... | JoJo | |
| J.C. Quinn | ... | Simon | |
| Miguel Pinero | ... | Roberto | |
| Ronald 'Smokey' Stevens | ... | Heavy | |
| Billy Mernit | ... | Blondell | |
| Paul Sass | ... | Blondell | |
| Artie Weinstein | ... | Blondell | |
| Tim Choate | ... | Eastman | |
| Elizabeth Peña | ... | Disco Hostess (as Elizabeth Pena) | |
| Kathy Lojac | ... | Nurse Joan | |
| Susan Merson | ... | Nurse May | |
| George Morfogen | ... | Don Dowd | |
| Charles Blackwell | ... | Speaker | |
| Steve James | ... | Dude (as Steve W. James) | |
| Jay Acovone | ... | Plainclothes Cop | |
| Alice Spivak | ... | Magda | |
| Calvin Ander | ... | George | |
| Peter Iacangelo | ... | Plainclothes Cop | |
| Michael Riney | ... | Young D.J. | |
| Louis Belero | ... | Policeman #1 | |
| Gerald M. Kline | ... | Policeman #2 (as Gerald Kline) | |
| Ben Slack | ... | Hold-Up Man | |
| Aaron Hurst | ... | Beer Vendor | |
| Sean Hurst | ... | Beer Vendor | |
| Peter Lopiccolo | ... | Shop Owner | |
| Roger Camacho | ... | T.V. Drop Kid | |
| Roger Camacho | ... | T.V. Drop Kid | |
| Steve Pabon | ... | T.V. Drop Kid | |
| Danielle Tiletnick | ... | Daughter | |
| Donna Sirota | ... | Daughter's Friend | |
| Karen Evans | ... | Waitress | |
| Rodi Alexander | ... | Cigarette Girl | |
| Ramón Franco | ... | Sleez Bag Vendor #1 (as Ramon Franco) | |
| Riki Colon | ... | Sleez Bag Vendor #2 | |
| Melanie Henderson | ... | Renaissance Aide | |
| Tulane Howard II | |||
| Larry Silvestri | ... | Cop on Marquee | |
| Mandy Cameron | ... | Beer Buyer | |
| Paula Naples | ... | Beer Buyer | |
| Scott P. Sanders | ... | Intern | |
| Tiger Haynes | ... | Andy | |
| Cammi Lynn Buttner | ... | Sleez Girl | |
| Sarah Dougherty | ... | Sleez Girl | |
| Amy Gabriel | ... | Sleez Girl | |
| Sandra Lee Goga | ... | Sleez Girl | |
| Pamela Gotlin | ... | Sleez Girl | |
| Shuna Lydon | ... | Sleez Girl | |
| Kelly McClory | ... | Sleez Girl | |
| Marlena Seda | ... | Sleez Girl | |
| rest of cast listed alphabetically: | |||
| Marilyn Dobrin | ... | Prostitute (uncredited) | |
| Anibal O. Lleras | ... | Cabby (uncredited) | |
| Sharon Mitchell | ... | Audience Member in Nightclub (uncredited) | |
Directed by | |||
| Allan Moyle | (as Alan Moyle) | ||
Writing credits(in alphabetical order) | ||
| Jacob Brackman | ||
| Allan Moyle | story (as Alan Moyle) | |
| Leanne Unger | story | |
Produced by | |||
| Jacob Brackman | .... | producer | |
| Kevin McCormick | .... | executive producer | |
| John Nicolella | .... | executive producer | |
| Bill Oakes | .... | associate producer | |
| Robert Stigwood | .... | producer | |
Original Music by | |||
| Blue Weaver | |||
Cinematography by | |||
| James A. Contner | |||
Film Editing by | |||
| Tom Priestley | |||
Casting by | |||
| Barbara Claman | |||
| Margery Simkin | |||
Production Design by | |||
| Stuart Wurtzel | |||
Set Decoration by | |||
| Leslie Bloom | |||
Costume Design by | |||
| Robert De Mora | |||
Makeup Department | |||
| Judi Goodman | .... | hair stylist | |
| Peter Wrona Jr. | .... | makeup artist | |
Production Management | |||
| Lou Fusaro | .... | unit manager | |
| Judith Stevens | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ed Bianchi | .... | second unit director (as Edward Bianchi) | |
| Jill Henry | .... | assistant director: second unit | |
| Alan Hopkins | .... | assistant director | |
| John Nicolella | .... | second unit director | |
| Robert E. Warren | .... | second assistant director (as Robert Warren) | |
Art Department | |||
| David Goodnoff | .... | set dresser | |
Sound Department | |||
| Anthony J. Ciccolini III | .... | sound editor | |
| Bernard Hajdenberg | .... | sound editor (as Bernie Hajdenberg) | |
| Kate Hirson | .... | sound editor | |
| Michael Jacobi | .... | sound editor | |
| Les Lazarowitz | .... | sound mixer (as Leslie Lazarowitz) | |
| Harvey Rosenstock | .... | sound editor | |
| Jerry Ross | .... | supervising sound editor | |
| Robert Sciretta | .... | sound recordist | |
| Julie Tanser | .... | sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
Stunts | |||
| Bill Anagnos | .... | stunt player | |
| Tammas Hamilton | .... | stunt player (as Tammas J. Hamilton) | |
| Jim Lovelett | .... | stunt coordinator (as James Lovelett) | |
| Franklin Scott | .... | stunt player | |
| Jane Solar | .... | stunt player | |
| Alex Stevens | .... | stunt coordinator | |
| Victoria Vanderkloot | .... | stunt player | |
Camera and Electrical Department | |||
| Enrique Bravo | .... | camera operator | |
| Gary Muller | .... | assistant camera | |
| Hank Muller | .... | assistant camera | |
| Scott Rathner | .... | additional second assistant camera | |
Editorial Department | |||
| Judith Blume | .... | apprentice editor | |
| Jim Finn | .... | negative cutter | |
| Michael Kirchberger | .... | collaborating editor | |
| Betsy Maturo | .... | assistant editor | |
| Patrick Mullins | .... | apprentice editor | |
Music Department | |||
| Norman Graf | .... | musical sequence editor | |
| Greg Sheldon | .... | music editor | |
Other crew | |||
| Tommy Burns | .... | production assistant | |
| Lewis Gould | .... | second assistant director | |
| Sandy McLeod | .... | script supervisor | |
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| All Over Me | The Runaways | Smithereens | Sid and Nancy | Stateside |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Times Square is a film inspired by a young woman's diary found by director Allen Moyle. It was many years before I was finally able to obtain a copy of 'Times Square,' although I was ultimately disappointed with what has established itself as a steady cult classic (to no surprise) that represents the old days of real New York (filmed entirely on location) and the emergence of New Wave (not so much punk, despite the "official" synopsis).
Robin Johnson plays gutsy social street misfit, Nicky, who is placed in a hospital because, for some reason, "reasonable" doctors have attributed her crude behavior with some sort of mental defect. There, she befriends quiet, shy Pamela (Trini Alvarado) who is being tested by doctors in the hospital much to the urgings of her wealthy, but misunderstanding father who is unwilling to listen to Pamela and realize that she's just a normal kid that needs some attention and natural affection.
Nicky, never willing to be held down (as characterized by her "Feed Me/I'm A Dog" song later in the film), helps Pam bust out of their little prison to become street nomads, doing what they have to for cash. But, they become youth idols and popular rebels when Pam's father gets together his team of social workers and legal aid to track Pam down under the assumption that she has been kidnapped. With the help of Nicky and their assorted troublemaking around New York, Pam eventually breaks out of her shell while speaking back to her father through local radio DJ, Johnny LaGuardia (Tim Curry!), among other things.
It's the typical punk rock ethic movie, though not done quite as harshly nor probably as honestly as other punk rock ethic films have (such as Suburbia or the more light-hearted selections). That is, the tales of the misunderstood youth who try to vocalize their frustrations to the very people (usually some form of dogged authority such as parents or school officials or law enforcement) through some of revolt. Here, it happens to be a culturally motivated one. The story, then is nothing new, and could've been much more enjoyable, at least for me, if there was more variety within the story. As the movie progresses, it becomes too much about Nicky, and I know that this was obviously done for a reason--because while Pamela can reform to at least some sense of normal, this is something that Nicky has never really known (or no longer knows) and has no one else to turn to. Besides, her personality means that she would never acquiesce as easily as Pam did (although Pam had her reasons, too).
However, Tim Curry fans or cult classic fans, particularly those who enjoyed cult classics motivated by the punk/new wave culture themes of youth alienation and good-natured rebellion and alienation (like Suburbia, Repo Man, Rock N' Roll High School, Tokyo Pop, and, outside of this music-influenced genre, The Legend of Billie Jean), then this is at least worth giving a try.