Slice of life look at Roberto and Aurelia, Cuban exiles living in New York City with their 17-year-old daughter Aurelita. It's February, 1978; the winter is harsh, and for ten years ... See full summary »
Queen Elizabeth I travels to late twentieth-century Britain to discover a tawdry and depressing landscape where life mostly seems aimless and is anyway held cheap. Three post-punk girls ... See full summary »
Film Director Allan Moyle, who brought you the hits "Empire Records" (1995) and "Pump Up The Volume" (1990), joins up with four other diabetic candidates in exploring the phenomenon of "... See full summary »
Two girls run away from a mental institution and forge a relationship on the streets of New York. They soon begin enjoying their punk-rock life until the powers that be start nosing around, looking for them, unsettling their already delicate mental states. Will the Sleez Sisters be torn apart? Or will they tear themselves apart? Written by
Producers held open auditions in several cities to cast the film. See more »
In the final musical number, a safety wire is visible on Nicky Marotta. See more »
My heart/it's pumpin'/my foot/it's runnin'/my head/it's hurtin'/it's hurtin' me./I never told you/everything/I never said the stuff I should/I was chicken to tell you/I never thought I could./ Find me/help me/save me./Can you hear me?/Can you feel me out there?/Pammy! I'm callin' you Pammy! Pammy!
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Punk Movie Ethic: The Fabulous Revolt of the Spectacularly Alienated (spoilers)
Times Square is a film inspired by a young woman's diary found by director Allen Moyle. It was many years before I was finally able to obtain a copy of 'Times Square,' although I was ultimately disappointed with what has established itself as a steady cult classic (to no surprise) that represents the old days of real New York (filmed entirely on location) and the emergence of New Wave (not so much punk, despite the "official" synopsis).
Robin Johnson plays gutsy social street misfit, Nicky, who is placed in a hospital because, for some reason, "reasonable" doctors have attributed her crude behavior with some sort of mental defect. There, she befriends quiet, shy Pamela (Trini Alvarado) who is being tested by doctors in the hospital much to the urgings of her wealthy, but misunderstanding father who is unwilling to listen to Pamela and realize that she's just a normal kid that needs some attention and natural affection.
Nicky, never willing to be held down (as characterized by her "Feed Me/I'm A Dog" song later in the film), helps Pam bust out of their little prison to become street nomads, doing what they have to for cash. But, they become youth idols and popular rebels when Pam's father gets together his team of social workers and legal aid to track Pam down under the assumption that she has been kidnapped. With the help of Nicky and their assorted troublemaking around New York, Pam eventually breaks out of her shell while speaking back to her father through local radio DJ, Johnny LaGuardia (Tim Curry!), among other things.
It's the typical punk rock ethic movie, though not done quite as harshly nor probably as honestly as other punk rock ethic films have (such as Suburbia or the more light-hearted selections). That is, the tales of the misunderstood youth who try to vocalize their frustrations to the very people (usually some form of dogged authority such as parents or school officials or law enforcement) through some of revolt. Here, it happens to be a culturally motivated one. The story, then is nothing new, and could've been much more enjoyable, at least for me, if there was more variety within the story. As the movie progresses, it becomes too much about Nicky, and I know that this was obviously done for a reason--because while Pamela can reform to at least some sense of normal, this is something that Nicky has never really known (or no longer knows) and has no one else to turn to. Besides, her personality means that she would never acquiesce as easily as Pam did (although Pam had her reasons, too).
However, Tim Curry fans or cult classic fans, particularly those who enjoyed cult classics motivated by the punk/new wave culture themes of youth alienation and good-natured rebellion and alienation (like Suburbia, Repo Man, Rock N' Roll High School, Tokyo Pop, and, outside of this music-influenced genre, The Legend of Billie Jean), then this is at least worth giving a try.
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