Directed by | |||
| Roger Spottiswoode | |||
Writing credits | ||
| T.Y. Drake | ||
| Daniel Grodnik | story (uncredited) | |
Produced by | |||
| Lamar Card | .... | executive producer | |
| Don Carmody | .... | line producer | |
| Harold Greenberg | .... | producer | |
| Daniel Grodnik | .... | executive producer | |
Original Music by | |||
| John Mills-Cockell | |||
Cinematography by | |||
| John Alcott | |||
Film Editing by | |||
| Anne Henderson | |||
Casting by | |||
| Ingrid Fischer | |||
| Anna St. Johns | |||
Production Design by | |||
| Glenn Bydwell | |||
Art Direction by | |||
| Guy J. Comtois | (as Guy Comtois) | ||
Costume Design by | |||
| Veronica Hadfield | (as Penny Hadfield) | ||
Makeup Department | |||
| Michèle Burke | .... | makeup artist | |
| Alan Friedman | .... | special makeup consultant | |
| Joan Isaacson | .... | makeup artist | |
| Louise Mignault | .... | makeup assistant (as Louise Mignault Rundell) | |
| Huguette Roy | .... | hair stylist | |
Production Management | |||
| William Zborowsky | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lamar Card | .... | second unit director | |
| David McLeod | .... | second assistant director | |
| Blair Roth | .... | third assistant director | |
| Ray Sager | .... | assistant director | |
Art Department | |||
| Raymond Larose | .... | draftsman | |
| Jean-Pierre Laurendeau | .... | assistant props | |
| Maurice Leblanc | .... | property master | |
| Rosanne Moss | .... | assistant to production designer | |
Sound Department | |||
| Ellen Adams | .... | dialogue editor | |
| David Appleby | .... | sound re-recording mixer (as Dave Appleby) | |
| Fred Brennan | .... | sound effects editor | |
| Bo Harwood | .... | sound mixer | |
| Sharon Lackie | .... | dialogue editor | |
| Jean-Marc Magnan | .... | boom operator | |
| Andy Malcolm | .... | foley artist | |
| Michael O'Farrell | .... | sound effects editor | |
| Dino Pigat | .... | sound re-recording mixer | |
| Michael Rea | .... | assistant sound editor | |
| Helen Watson | .... | assistant sound editor | |
| Don White | .... | foley recording mixer | |
Special Effects by | |||
| Joe Elsner | .... | special effects (as Josef Elsner) | |
Camera and Electrical Department | |||
| Peter Benison | .... | additional photographer | |
| Lou Bogue | .... | gaffer | |
| Alan Carruthers | .... | still photographer | |
| Don Caulfield | .... | key grip | |
| James Devis | .... | camera operator | |
| Normand Foy | .... | best boy | |
| Jonathan Goodwill | .... | clapper loader | |
| Paul Gravel | .... | focus puller | |
| Pierre Lapointe | .... | assistant key grip | |
| Allen Smith | .... | additional photographer (as Al Smith) | |
| Jerome South | .... | grip | |
| Yves Tessier | .... | electrician | |
| René Verzier | .... | additional photographer | |
Costume and Wardrobe Department | |||
| Susan Hall | .... | wardrobe mistress | |
| Jenepher Hooper | .... | set costumer | |
| Lise Pharand | .... | seamstress | |
Editorial Department | |||
| Thomas Metzger | .... | color timer | |
| Susan Shanks | .... | assistant editor | |
Music Department | |||
| Kirk Hawkes | .... | music editor | |
Transportation Department | |||
| Michael Bernardelli | .... | driver | |
| Victoria Frodsham | .... | driver (as Vicki Frodsham) | |
| Donna Noonan | .... | driver | |
| Roy Perryon | .... | driver | |
| Joe Sanchez | .... | driver | |
| Michel Siry | .... | driver captain | |
| Steve Wilkins | .... | driver | |
Other crew | |||
| Victoria Barney | .... | assistant to producer | |
| Don Carmody | .... | production executive | |
| Paulle Clark | .... | assistant production accountant | |
| Marie Renée Collette | .... | stagiere | |
| David Copperfield | .... | illusion creator | |
| Lucie Drolet | .... | production accountant | |
| Kathy Flynn | .... | production secretary | |
| Brigitte Germain | .... | continuity | |
| Ginette Hardy | .... | unit coordinator | |
| Paul Lamontagne | .... | location manager | |
| François LeClerc | .... | assistant location manager | |
| Holly Levine | .... | publicist | |
| Louis A. Massicotte | .... | assistant to executive producer | |
| Sandy Rochester | .... | production assistant | |
| Caryl Wickman | .... | dialogue director | |
| Paul Wisenthal | .... | train coordinator | |
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| Friday the 13th | Halloween | Prom Night | The Prowler | The Phantom of the Opera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
I really was not expecting much from viewing Terror Train, quite honestly, and I don't think many would. I did not know much about anyway, but I had been really wanting to see it regardless, because it looked cool and it starred Jamie Lee Curtis, who we all know was a big horror star back in the 80s, and I enjoyed all the films she starred in as well. It seemed like it would be a fun watch, and it was.
Well, this was no Halloween or The Fog, but I liked it all the same, even if it is not as classic, professional, and suspenseful. The plot is a college fraternity hosts a New Year's Eve costume party upon a moving train. Simple enough, and sometimes simple plots are the best kinds of plots to go with, though the simplicity of Terror Train makes it seem dull and mediocre at times. I liked the very cool and unexpected twists this movie had though, and even though sometimes the characters were annoying, they were nicely done and they commingled with the type of atmosphere the film had perfectly.
It tries to be more than it is at times, but if you can appreciate B-Movie horrors, or are just a horror fan in all, it is a good time, though nothing to really praise. Overall, Terror Train was very interesting and a nice edition to the slasher genre. There's not much I can really say about it, but it's satisfying in a sense, and I recommend it if you think you'll get any enjoyment out of watching it.