Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence ... See full summary »

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Cast

Cast overview, first billed only:
...
David Meyer ...
Neil Cunningham ...
Sebastian, his brother
Heathcote Williams ...
...
Richard Warwick ...
Antonio, his brother
...
Jack Birkett ...
...
Peter Turner ...
Ken Campbell ...
Elisabeth Welch ...
A Goddess
Claire Davenport ...
Kate Temple ...
Helen Wellington-Lloyd ...
A Spirit
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Storyline

Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence brings these enemies near; aided by his vassal the spirit Ariel, Prospero conjures a tempest to wreck the Italian ship. The king's son, thinking all others lost, becomes Prospero's prisoner, falling in love with Miranda and she with him. Prospero's brother and the king wander the island, as do a drunken cook and sailor, who conspire with Caliban, Prospero's beastly slave, to murder Prospero. Prospero wants reason to triumph, Ariel wants his freedom, Miranda a husband; the sailors want to dance. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

25 December 1980 (West Germany)  »

Also Known As:

A Tempestade  »

Box Office

Budget:

£150,000 (estimated)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The last feature of Elisabeth Welch. See more »

Quotes

Miranda, his daughter: Oh, how beauteous mankind is. O brave new world that has such people in it!
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Connections

Version of Forbidden Planet (1956) See more »

Soundtracks

Stormy Weather
Written by Harold Arlen & Ted Koehler
Performed by Elisabeth Welch
Arranged by Stephen Pruslin
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User Reviews

 
Queer Theory in Practice
19 June 2005 | by (United Kingdom) – See all my reviews

I'm amazed that of all the reviews I've looked at nobody seems to have noticed one of the main points of this film, or at least how I saw it. It seems like one big homosexual fantasy, camp clothing, a glorified nude Ferdinand, a definite sexual tension between Ariel and Prospero, and as a final climax, a group of men in tight sailor suits dancing the hornpipe. This whole approach, once you get used to it, provides you with all sorts of fantastic scenes and images. The sight of an innocent Ariel being pulled towards a disgusting nude Sycorax in order to perform "her earthy and abhorr'd commands", is one of the darkest I've ever scene in a Shakespeare film. However by the end of the film I'd grown tired of the style and the final hornpipe dance was just too much to take. Still overall its an interesting interpretation of the play.


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