Chicago psychiatrist Judd Stevens (Roger Moore) is suspected of murdering one of his patients when the man turns up stabbed to death in the middle of the city. After repeated attempts to ... See full summary »
Just before the Salem Witch Trials, an embittered old woman, who has learned witchcraft, teams up with the Devil, and brings a scarecrow to life as part of her diabolical revenge on the judge who was once her lover.
A Mafia boss is enraged when he is suspected of smuggling a heroin shipment into San Francisco. He dispatches his nephew, a hotshot Anglo-Sicilian lawyer, to identify the real culprit. The ... See full summary »
Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
A chauffeur for a corrupt CEO, and a few hours later, his boss himself, are killed by the industrialist's associate. But their ghosts remain on Earth, and they try to tell the millionaire's teenage son the identity of the killer.
Harry Evers and Marvin Ellison have been playing poker Thursday nights with their friends for years. When a disagreement breaks up the game, they decide to continue meeting and doing ... See full summary »
When political thugs murder an opponent's volunteer and also kill a cop, chief inspector Verjeat believes the politician who hired them is as guilty as the murderous goon. Verjeat's pursuit... See full summary »
A European arms dealer (Roger Moore) meets a liberated woman journalist (Susannah York), who is writing a story about the ridiculous things men do with the armaments during a NATO war games... See full summary »
Anthology of four sex comedies. Some sections are good, some are not.
It's surprising that Sunday Lovers is such a hard film to locate, considering that it has several big stars and some genuine talent behind the cameras. The film consists of four sex comedies - each are approximately thirty minutes in length - from four different countries.
1 - An Englishman's Home.
A coarse, sex-obsessed chauffeur named Harry (Roger Moore) takes advantage when the real lord of the manor is away on a weekend business trip by presenting himself as his lordship. He picks up Donna (Priscilla Barnes), a beautiful air hostess from America, and takes her to the castle for a passionate weekend, but the ruse is jeopardised when one of the real lord's lady friends unexpectedly comes to visit.
2 - The French Method.
Francois Querole (Lino Ventura), a French businessman, is trying to secure a high-profile deal with American correspondent Henry Morrison (Robert Webber). However, Morrison is a sexist oaf who uses his weekend business trips as a chance to wine and dine various sexy continental women. He has his eye on Francois's secretary, but she isn't prepared to surrender herself to his advances.
3 - Skippy.
Skippy (Gene Wilder), a patient at a Los Angeles mental institute, is given a weekend pass as part of his re-integration into society. He spends the weekend with Laurie (Kathleen Quinlan), a young and attractive woman he met at a nightclub, and learns how to enjoy sex and romance once more.
4 - Armando's Notebook.
Armando (Ugo Tognazzi) is left home alone for the weekend when his wife has pressing matters to deal with elsewhere. Whilst tidying up a spare room, he finds a notebook containing the phone numbers of all his ex-girlfriends, but upon calling them and meeting up with them, each encounter proves to be more disastrous than the last.
The segments vary in quality. Easily the best story is The French Method, in which Ventura gives the film's strongest performance as a man whose business and marriage are causing him perpetual suffering. The Italian story also has good moments, including a wonderfully funny scene in which Tognazzi meets an ex-flame who is now a psychiatrist and has a disconcerting habit of analysing his every twitch. "Skippy", the American part, has been oft-criticised (Maltin described it as embarrassingly bad) but in truth it is a passable though forgettable little entry in which Wilder's energy does a lot to disguise the deficiencies. The weakest section is the British one. It's a predictable bedroom farce in which the main character gets himself into a right royal pickle, but stories like this have been done to death a thousand times before and this one has nothing fresh enough in its locker to make it stand out. Sunday Lovers is a decent film, but it could have been much, much better if every section was as good as The French Method.
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