| Photos (See all 19 | slideshow) | Videos (see all 2) |
| Peter O'Toole | ... | Eli Cross | |
| Steve Railsback | ... | Cameron | |
| Barbara Hershey | ... | Nina Franklin | |
| Allen Garfield | ... | Sam (as Allen Goorwitz) | |
| Alex Rocco | ... | Police Chief Jake | |
| Sharon Farrell | ... | Denise | |
| Adam Roarke | ... | Raymond Bailey | |
| Philip Bruns | ... | Ace | |
| Charles Bail | ... | Chuck Barton | |
| John Garwood | ... | Gabe | |
| Jim Hess | ... | Henry | |
| John Pearce | ... | Garage Guard | |
| Michael Railsback | ... | Burt | |
| George Wallace | ... | Nina's Father | |
| Dee Carroll | ... | Nina's Mother | |
| Leslie Winograde | ... | Nina's Sister | |
| Don Kennedy | ... | Lineman | |
| Whitey Hughes | ... | Eli's Assistant Director | |
| Walter Robles | ... | Eli's Assistant Director | |
| A.J. Bakunas | ... | Eli's Script Clerk | |
| Roberto Caruso | ... | Cop #1 | |
| Frank Avila | ... | Cop #2 | |
| Stafford Morgan | ... | FBI Agent Thompson | |
| John Alderman | ... | Carlbinarri | |
| Jack Palinkas | ... | Technician | |
| James Garrett | ... | Technician #2 (as Cecil Brittain) | |
| Garrett McPherson | ... | Tourist | |
| Nelson Tyler | ... | Elk's Crane Cameraman | |
| Louis Gartner | ... | Brothel Man #1 | |
| rest of cast listed alphabetically: | |||
| William Joseph Arno | ... | (uncredited) | |
| James Avery | ... | (uncredited) | |
| Frank Beetson | ... | (uncredited) | |
| Gregg Berger | ... | (uncredited) | |
| Chance Boyer | ... | Kid in Cemetery (uncredited) | |
| Deanna Dae Coleman | ... | Stunt Crew (uncredited) | |
| Larry Dunn | ... | Stunt Crew (uncredited) | |
| Don Hayden | ... | WWI German Soldier (uncredited) | |
| Patricia McPherson | ... | Pretty Woman (uncredited) | |
| Ross Reynolds | ... | Helicopter Pilot (uncredited) | |
| Gordon Ross | ... | (uncredited) | |
| Marion Wayne | ... | (uncredited) | |
| Leigh Webb | ... | (uncredited) | |
Directed by | |||
| Richard Rush | |||
Writing credits | ||
| Lawrence B. Marcus | (screenplay) | |
| Richard Rush | (adaptation) | |
| Paul Brodeur | (novel) | |
Produced by | |||
| Paul Lewis | .... | associate producer | |
| Richard Rush | .... | producer | |
| Melvin Simon | .... | executive producer | |
Original Music by | |||
| Dominic Frontiere | |||
Cinematography by | |||
| Mario Tosi | |||
Film Editing by | |||
| Caroline Biggerstaff | |||
| Jack Hofstra | |||
Art Direction by | |||
| James L. Schoppe | |||
Set Decoration by | |||
| Richard Spero | |||
Costume Design by | |||
| Rosanna Norton | |||
Makeup Department | |||
| Ken Chase | .... | makeup designer | |
| Tom Lucas | .... | makeup artist | |
| Marina Pedraza | .... | hair stylist | |
| Richard Blair | .... | makeup artist (uncredited) | |
Production Management | |||
| Frank Beetson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Frank Beetson | .... | first assistant director | |
| Paula Marcus | .... | second assistant director | |
| Richard H. Prince | .... | dga trainee | |
Art Department | |||
| Gary Fettis | .... | assistant property master | |
| Douglas E. Madison | .... | property master | |
Sound Department | |||
| Jeff Bushelman | .... | sound effects | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Cal Marks | .... | boom operator | |
| Michael Minkler | .... | sound re-recording mixer | |
| Arthur Piantadosi | .... | sound re-recording mixer | |
| Lee Strosnider | .... | sound mixer | |
| James M. Tanenbaum | .... | production sound mixer | |
Special Effects by | |||
| David Domeyer | .... | special effects | |
| Mike Edmonson | .... | special effects foreman | |
| Milt Rice | .... | head special effects | |
Stunts | |||
| Phil Adams | .... | stunts | |
| A.J. Bakunas | .... | stunts | |
| Gregory J. Barnett | .... | stunts | |
| Gary Baxley | .... | stunts | |
| Wayne Berg | .... | stunt pilot | |
| Norman Blankenship | .... | stunts (as Norm Blankenship) | |
| Hank Calia | .... | stunts | |
| Deanna Dae Coleman | .... | stunts | |
| Erik Cord | .... | stunts | |
| Ted Duncan | .... | stunts | |
| Larry Dunn | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| Whitey Hughes | .... | stunts | |
| Gray Johnson | .... | stunt coordinator | |
| Gray Johnson | .... | stunts | |
| Mike Johnson | .... | stunts | |
| Al Jones | .... | stunts (as Alton Leo Jones) | |
| John Kazian | .... | wing walker | |
| Tom Morga | .... | stunts | |
| Regis Parton | .... | stunts | |
| Don Pulford | .... | stunts | |
| Walter Robles | .... | stunts | |
| Dick Warlock | .... | stunts | |
| James Winburn | .... | stunts | |
| Charles Bail | .... | stunts (uncredited) | |
| Ross Reynolds | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| William L. Asman | .... | camera operator | |
| Peter J. Breen | .... | dolly grip | |
| Bob Fillis | .... | assistant chief lighting technician | |
| Bob Fillis | .... | best boy | |
| Tim Griffith | .... | chief lighting technician | |
| Tim Griffith | .... | gaffer | |
| Frank M. Holgate | .... | underwater photography | |
| Terry Kempf | .... | electrician | |
| Joel King | .... | camera operator | |
| Robin Krause | .... | still photographer | |
| Michael E. Matteson | .... | grip | |
| Jack Palinkas | .... | key grip | |
| Tony Rivetti | .... | first assistant camera: additional camera | |
Editorial Department | |||
| Andy Blumenthal | .... | assistant editor | |
| Diego Borghello | .... | colorist: digitally restored version | |
| John Carnochan | .... | assistant editor | |
| Dolly Gordon | .... | assistant editor | |
| Robert Leader | .... | editorial coordinator | |
| Ryan Noto | .... | post-production coordinator | |
Music Department | |||
| Laurie Higgins Tobias | .... | co-music editor | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| Gary Paulsen | .... | transportation captain | |
Other crew | |||
| James S. Appleby | .... | head pilot: WWI-planes (as Jim Appleby) | |
| Dessie Markovsky | .... | post production supervisor | |
| Dan Perri | .... | title designer: main titles | |
| Emile Razpopov | .... | post production coordinator | |
| Ross Reynolds | .... | helicopter pilot | |
| Alicia Rivera Frankl | .... | production executive (as Alicia Alon) | |
| Terry Terrill | .... | script supervisor | |
| Dean Westgaard | .... | parachutist | |
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| Munich | The Black Dahlia | Lucía, Lucía | The Departed | The English Patient |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
When I first saw THE STUNT MAN, I was very enthusiastic about the film and raved about it to anyone who might be interested. I've watched it twice with some friends since, but they weren't very enthusiastic about it, so I can imagine that for many people it won't pay off. It's an ingeniously constructed film that takes some patience and attention to watch. Made by the erratic Richard Rush, this was his pet project for nine years. Although the direction is fine, it's mostly a virtuoso piece of scripting (credited to Rush and Lawrence B. Marcus, based on Paul Brodeur's novel) that makes this such a special film.
A short plot outline: Fugitive Cameron (Railsback) stumbles onto a movie set where megalomaniac director Eli Cross (O'Toole) promises to hide from the police if he replaces his ace stunt man, who got killed earlier on the set in a freak accident while filming a scene. Is Eli trying to capture Cameron's death on film while he is performing a stunt? Reality and imagination soon blur when Cameron grows increasingly paranoid because Eli Cross doesn't let anything or anybody get in the way of shooting his masterpiece the way he wants. He doesn't seem to care about human life, as long as his movie is shot in the way he wants it.
Railsback is an odd choice for the main role but apparently the makers wanted a "low-key" actor for the main part. Barbara Hershey gives a great performance but without Peter O'Toole's tour-de-force performance, I doubt if the film would have worked as well as it did, especially with such a challenging and multi-layered script. He delivers his lines with such vigor that you cannot look away, a grand performance by perhaps my favorite actor off all time. Such a pity that his (later) career mainly consisted of mediocre films at best and some disastrous ones, sadly... I cannot imagine this kind of film being made in Hollywood today and even back then it might be called a small miracle it got made in the first place, let alone released (in fact, it sat on the shelf for two years before release). Perhaps it's all a little too ambitious at times but with a cast like this and such a dazzling script, it's definitely worth the effort.
The DVD-release by Anchor Bay comes with an extra disc loaded with extra's. Lots of interviews, including one with O'Toole and a very peculiar - almost two-hour (!) - documentary about the making of the film, presented by Rush himself, almost worth seeing in itself.
Camera Obscura - 8/10