A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him and his job is dull. One night he starts to drive through Los Angeles and he finally ends in the parking ... See full summary »
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <firstname.lastname@example.org>
All the major American film distributors rejected to distribute this picture. The producers then sneak previewed the picture itself in Seattle, Washington; Phoenix, Arizona and Columbus, Ohio. It then played at the Dallas Film Festival, and had test runs in Seattle and a theater near the UCLA campus in Westwood. It then opened in ten Los Angeles theaters in California. After it won the big prize at the Montreal Film Festival, 20th Century Fox picked up the picture for distribution in the USA. See more »
When Eli pulls Cameron onto the crane, Eli's arm wraps around him and stays wrapped around him for the rest of Cameron's closeups even though Eli has removed the arm to tell Cameron to look into his camera. See more »
[after completing stunt]
That was the hardest thousand dollars I ever earned.
[Later... Starts to turn away, then turns back]
Thousand dollars? What thousand dollars?
The stunt pays six-fifty.
No. Chuck said the stunt paid a thousand dollars.
Chuck could have promised you the Nobel Prize. The stunt pays six-fifty.
The stunt pays a thousand dollars. Chuck told me. You insulted me again.
See more »
After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
This movie is a slightly surreal comedy about moviemaking. It's told with the perspective (if not always from the point of view) of a young fugitive who wanders onto the set and gets hired due to various complications. The movie people all seem larger than life to the fugitive, and since he's a little paranoid anyway, their motives seem complex and suspect. Peter O'Toole gives his usual performance, and he's perfect here as the flamboyant director (he must have had a great time sending up some blowhards of his past with this role). Steven Railsback does his usual disoriented guy on the edge, and he does it with a rather touchingly naive quality this time. Barbara Hershey is the leading lady love interest, delivers an intelligent and understated performance, and is appropriately bewitchingly beautiful.
Roger Ebert didn't like this movie, but he got confused into thinking that it was something deeper than a comedy. It's about as deep as "Get Shorty", but with a completely different feel.
The movie holds up pretty well, although the special effects look a little clunky sometimes, and I remember thinking they were pretty good when I saw the movie in its initial release. But the clunkiness isn't really distracting, and since the movie's attempts to "deceive" are all firmly tongue-in-cheek, it doesn't hurt.
13 of 16 people found this review helpful.
Was this review helpful to you?