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The Stunt Man (1980)

A fugitive stumbles on a movie set just when they need a new stunt man, takes the job as a way to hide out, and falls for the leading lady.

Director:

Writers:

(screenplay), (adaptation) | 1 more credit »
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Nominated for 3 Oscars. Another 4 wins & 8 nominations. See more awards »
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Documentary about the making of this 1980 action/drama about a fugitive hiding out as a movie stuntman.

Director: Richard Rush
Stars: Richard Rush, Peter O'Toole, Steve Railsback
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Cast

Cast overview, first billed only:
...
...
...
...
Sam (as Allen Goorwitz)
...
...
Denise
...
...
Ace
Charles Bail ...
...
Gabe / Eli's cameraman
Jim Hess ...
Henry / Eli's camera assistant
John Pearce ...
Garage Guard (as John B. Pearce)
Michael Railsback ...
Burt
...
Father (as George D. Wallace)
Dee Carroll ...
Mother
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Storyline

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

"If God could do the things that we can do, he'd be a happy man . . ." See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 June 1980 (USA)  »

Also Known As:

Le diable en boîte  »

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Box Office

Budget:

$3,500,000 (estimated)

Gross USA:

$7,063,886
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie was part of a 1970s cycle of works which were about stunt-work and the stunt profession in movie-making. In his book "Cult Movies 3", Danny Peary says in his piece on The Stunt Man (1980) that "there had been a proliferation of theatrical and television films about stuntmen". The films include Hooper (1978), Animal (1977), Evel Knievel (1971) (1971), Stunt Rock (1979), Evel Knievel (1974) (1974), Dare Devils (1973), Deathcheaters (1976), Stunts (1977), Viva Knievel! (1977), Superstunt (1977), Death Riders (1976) and The Stunt Man (1980). See more »

Goofs

When Eli pulls Cameron onto the crane, Eli's arm wraps around him and stays wrapped around him for the rest of Cameron's closeups even though Eli has removed the arm to tell Cameron to look into his camera. See more »

Quotes

Eli Cross: Well, talking of jail, would you be very upset if I asked just how many policemen are after you?
Cameron: Me? I don't know what you are talking about.
Eli Cross: The way you ran from the bridge, and the look on your face, and your charm bracelet. That's what I'm talking about. I suppose care to tell me what it is that you did?
See more »

Crazy Credits

After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

Bits & Pieces
Music by Dominic Frontiere
Lyrics by Norman Gimbel
Sung by Dusty Springfield
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User Reviews

Strange film....
15 September 2006 | by See all my reviews

When I first saw THE STUNT MAN, I was very enthusiastic about the film and raved about it to anyone who might be interested. I've watched it twice with some friends since, but they weren't very enthusiastic about it, so I can imagine that for many people it won't pay off. It's an ingeniously constructed film that takes some patience and attention to watch. Made by the erratic Richard Rush, this was his pet project for nine years. Although the direction is fine, it's mostly a virtuoso piece of scripting (credited to Rush and Lawrence B. Marcus, based on Paul Brodeur's novel) that makes this such a special film.

A short plot outline: Fugitive Cameron (Railsback) stumbles onto a movie set where megalomaniac director Eli Cross (O'Toole) promises to hide from the police if he replaces his ace stunt man, who got killed earlier on the set in a freak accident while filming a scene. Is Eli trying to capture Cameron's death on film while he is performing a stunt? Reality and imagination soon blur when Cameron grows increasingly paranoid because Eli Cross doesn't let anything or anybody get in the way of shooting his masterpiece the way he wants. He doesn't seem to care about human life, as long as his movie is shot in the way he wants it.

Railsback is an odd choice for the main role but apparently the makers wanted a "low-key" actor for the main part. Barbara Hershey gives a great performance but without Peter O'Toole's tour-de-force performance, I doubt if the film would have worked as well as it did, especially with such a challenging and multi-layered script. He delivers his lines with such vigor that you cannot look away, a grand performance by perhaps my favorite actor off all time. Such a pity that his (later) career mainly consisted of mediocre films at best and some disastrous ones, sadly... I cannot imagine this kind of film being made in Hollywood today and even back then it might be called a small miracle it got made in the first place, let alone released (in fact, it sat on the shelf for two years before release). Perhaps it's all a little too ambitious at times but with a cast like this and such a dazzling script, it's definitely worth the effort.

The DVD-release by Anchor Bay comes with an extra disc loaded with extra's. Lots of interviews, including one with O'Toole and a very peculiar - almost two-hour (!) - documentary about the making of the film, presented by Rush himself, almost worth seeing in itself.

Camera Obscura - 8/10


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