A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
A group of military officers, angered and frustrated by the corruption and repression of the current government, finally decide that for the good of the country they must overthrow the ... See full summary »
Slapstick comedy based on the play by George Bernard Shaw. A stiff English officer, captain Charles Edstaston (Peter O'Toole), and his fiancée Claire arrive in St Petersburg. Edstaston is ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <email@example.com>
Two of the names of the characters had double meanings. Steve Railsback)'s stuntman character Cameron was a play on words for "camera on" whilst Peter O'Toole's director character Eli Cross had a last name that was reference to being a God or Christ-like figure, something which O'Toole had previously examined in _The Ruling Class_ (qv_). See more »
At dinner, after Eli's line "This film... is not about fighting wars, Sam," Sam's right arm jumps; first it is putting some food in his mouth and then it's resting on the table. See more »
I knew daredevils, and I ain't got nothin' against them, it's just they're all dead.
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I was prepared to dislike this film when I heard that it was going to replace the incredible "Empire Strikes Back." What I got was shock. Here was something different, something innovative in style and technique, something amazing. Vader and his gang were soon forgotten as I got caught up in the suspense (Will Cameron survive?), the comedy, the incredible dialogue, and one of the best soundtracks ever put on film. I fell in love with Barbara Hershey all over again after too long an absence. O'Toole was Oscar-worthy, and robbed of one. Richard Rush pulled a one-of-a-kind out of his hat, ala "Citizen Kane." He has never been near this level before or since. This must be watched several times in order to see and hear everything. There are so many subtle touches that are brilliant that I still find them 20 years and 30+ viewings later. A must for anyone who wants to know good film great. No doubt about this one. A "10" out of "10." No film was better(or as good) in the 1980's (or 90's for that matter.)
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