A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV ... See full summary »
At the beginning of WW2, Liviu, a Romanian count, and his wife Julia come to live on an uninhabited tropical island, where they hope to escape the war and their past. They bring with them ... See full summary »
Max von Sydow
A group of military officers, angered and frustrated by the corruption and repression of the current government, finally decide that for the good of the country they must overthrow the ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <email@example.com>
The film was a dream project for director Richard Rush. The film has frequently being publicized as taking nine years to get to the screen. However, Rush has said on the website for The Sinister Saga of Making 'The Stunt Man' (2000), that the picture took ten years to make from inception to release, seven years to finance it and then three years to release it. The script was first written in 1970 when the rights were first sold. The film was shot in 1978 with post-production conducted in 1979. The picture had trouble getting distributed until 20th Century Fox picked it up and released it in 1980. See more »
At dinner, after Eli's line "This film... is not about fighting wars, Sam," Sam's right arm jumps; first it is putting some food in his mouth and then it's resting on the table. See more »
[after an effects shot involving a dummy has gone wrong]
It's so awful, it's beautiful. I do wish I could use it.
That's all we need.
Well, we need something, Sam, and damn well you know it. Something better.
Better? How better?
Something less boring. Something crazier.
A dead man's boots are dropped over his own airfield out of chivalry. That's not crazy enough for you, huh?
They did it in a film called "Wings." Even the dummy was bored.
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I was prepared to dislike this film when I heard that it was going to replace the incredible "Empire Strikes Back." What I got was shock. Here was something different, something innovative in style and technique, something amazing. Vader and his gang were soon forgotten as I got caught up in the suspense (Will Cameron survive?), the comedy, the incredible dialogue, and one of the best soundtracks ever put on film. I fell in love with Barbara Hershey all over again after too long an absence. O'Toole was Oscar-worthy, and robbed of one. Richard Rush pulled a one-of-a-kind out of his hat, ala "Citizen Kane." He has never been near this level before or since. This must be watched several times in order to see and hear everything. There are so many subtle touches that are brilliant that I still find them 20 years and 30+ viewings later. A must for anyone who wants to know good film great. No doubt about this one. A "10" out of "10." No film was better(or as good) in the 1980's (or 90's for that matter.)
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