A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important... See full summary »
At the beginning of WW2, Liviu, a Romanian count, and his wife Julia come to live on an uninhabited tropical island, where they hope to escape the war and their past. They bring with them ... See full summary »
Max von Sydow
Milagro Man is a feature documentary exploring the literary works and social activism of John Treadwell Nichols, renowned author of the 'New Mexico trilogy' (The Milagro Beanfield War, The ... See full summary »
This provocative documentary arises from extensive interviews with maverick academic Russell Jacoby concerning the fate of public intellectuals, the neutering of radical work in the academy... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <firstname.lastname@example.org>
Two of the names of the characters had double meanings. Steve Railsback)'s stuntman character Cameron was a play on words for "camera on" whilst Peter O'Toole's director character Eli Cross had a last name that was reference to being a God or Christ-like figure, something which O'Toole had previously examined in _The Ruling Class_ (qv_). See more »
When Cameron previews the footage of Bert's demise, the windshield has no hole in it, then a hole appears as they look at the footage, but then it's missing again in the next shot. See more »
Oh Burt, stop this worrying. You must have heard surely of movie magic. You should be a stunt man, who is an actor, who is a character in a movie, who is an enemy soldier. Who'll look for you amongst all those? People like to believe in things, and policemen are just people. Or so I'm told. Frankly, our problem is so simple it's almost beneath us. Now listen to me: that door is the looking glass, and inside it is Wonderland. Have faith Alice! Close your eyes and enjoy.
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I was prepared to dislike this film when I heard that it was going to replace the incredible "Empire Strikes Back." What I got was shock. Here was something different, something innovative in style and technique, something amazing. Vader and his gang were soon forgotten as I got caught up in the suspense (Will Cameron survive?), the comedy, the incredible dialogue, and one of the best soundtracks ever put on film. I fell in love with Barbara Hershey all over again after too long an absence. O'Toole was Oscar-worthy, and robbed of one. Richard Rush pulled a one-of-a-kind out of his hat, ala "Citizen Kane." He has never been near this level before or since. This must be watched several times in order to see and hear everything. There are so many subtle touches that are brilliant that I still find them 20 years and 30+ viewings later. A must for anyone who wants to know good film great. No doubt about this one. A "10" out of "10." No film was better(or as good) in the 1980's (or 90's for that matter.)
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