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A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his ... See full summary »
Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right,... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <email@example.com>
The film is considered a cult movie and is listed in Danny Peary's "Cult Movies 3" book as such. See more »
When Cameron does a somersault, his position changes as he comes out of the roll. See more »
[after Nina falls into the ocean, Cameron carries her in his arms back to shore]
This is just like in the movies!
I *am* the movies.
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I was prepared to dislike this film when I heard that it was going to replace the incredible "Empire Strikes Back." What I got was shock. Here was something different, something innovative in style and technique, something amazing. Vader and his gang were soon forgotten as I got caught up in the suspense (Will Cameron survive?), the comedy, the incredible dialogue, and one of the best soundtracks ever put on film. I fell in love with Barbara Hershey all over again after too long an absence. O'Toole was Oscar-worthy, and robbed of one. Richard Rush pulled a one-of-a-kind out of his hat, ala "Citizen Kane." He has never been near this level before or since. This must be watched several times in order to see and hear everything. There are so many subtle touches that are brilliant that I still find them 20 years and 30+ viewings later. A must for anyone who wants to know good film great. No doubt about this one. A "10" out of "10." No film was better(or as good) in the 1980's (or 90's for that matter.)
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