A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important... See full summary »
Murphy is the sole survivor of his crew, that has been massacred by a German U-Boat in the closing days of World War II. He lands on the shore somewhere on the river Orinoco delta and ... See full summary »
When a small town begins losing its citizenry in a series of grisly murders, out-of-town police inspector Jean Lavardin (Jean Poiret) is sent to investigate. Could the killers be a bullied ... See full summary »
A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <firstname.lastname@example.org>
Director Richard Rush has said of this movie in a 2001 interview with Paul Hupfield: "I was lecturing at a university film school to a bunch of potential film students and asked them if any of them had seen my films. I started with Color of Night (1994), and I'd say about 80 hands went up out of a room of about 200 kids. Then I asked if anyone had seen The Stunt Man (1980), the film I actually wanted to talk to them about, and only two hands went up. Two hands in a room of 200! I thought, 'Oh boy, my film is totally lost on this generation...'." See more »
The car used in the main "driving off the bridge" scene is consistently described as a Duesenberg, but it has the well known Mercedes-Benz hood ornament. See more »
[after an effects shot involving a dummy has gone wrong]
It's so awful, it's beautiful. I do wish I could use it.
That's all we need.
Well, we need something, Sam, and damn well you know it. Something better.
Better? How better?
Something less boring. Something crazier.
A dead man's boots are dropped over his own airfield out of chivalry. That's not crazy enough for you, huh?
They did it in a film called "Wings." Even the dummy was bored.
See more »
After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
One of Our Greatest Actors.. ..at his absolute best.
At the time Peter O'Toole was Academy Award nominated as Best Actor, for his portrayal of one-step-above-God-himself, Eli Cross in The Stunt Man, my movie going experience was limited to The Wonderful World of the Brothers Grimm, Mary Poppins, and some post pubescent indulgences into the realm of Flint, Matt Helm, and James Bond.
Through the magic of video I was able to see Richard Rush's wonderful black comedy- And have never tired of it.
Had Mr. O'Toole and The Stunt Man not run headlong into the likes of Raging Bull, and Robert De Niro, I venture to say it would have garnered WINS, not just NOMINATIONS from the Academy that year.
Rent it and while you're at it reach for `My Favorite Year' and make it a Peter O'Toole double feature.
You will not be disappointed.
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