A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
A group of military officers, angered and frustrated by the corruption and repression of the current government, finally decide that for the good of the country they must overthrow the ... See full summary »
Slapstick comedy based on the play by George Bernard Shaw. A stiff English officer, captain Charles Edstaston (Peter O'Toole), and his fiancée Claire arrive in St Petersburg. Edstaston is ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <email@example.com>
Film critic Roger Ebert has said of this film's development and distribution: "Richard Rush . . . began preparing this film in 1971, and finally shot it in 1978. It was financed by Melvin Simon Productions, which couldn't find a distributor for it. It sat on the shelf for a year, finally got favorable attention at the USA (Dallas) and Montreal film festivals and was picked up by Twentieth Century-Fox . . . Its opening in New York was hailed by many critics, most notably the New Yorker's Pauline Kael, whose advice is that 'The Stunt Man' is one of the year's best films". See more »
When Cameron previews the footage of Bert's demise, the windshield has no hole in it, then a hole appears as they look at the footage, but then it's missing again in the next shot. See more »
[after a cameraman says cut because there's only 22 seconds of film left]
In 22 seconds, I could break your fucking spine. In 22 seconds, I could pinch your head off like a fucking insect and spin it all over the fucking pavement. In 22 seconds, I could put 22 bullets inside your ridiculous gut. What I seem unable to do in 22 seconds is to keep you from fucking up my film!
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
Revered as one of the greatest "cult" films of all time I recently saw it and most of my expectations were met. Steven Railsback plays a character named Cameron. A former Vietnam veteran and fugitive on the lam. At the begining of the film we see him being pursued by the police after he is spotted in a restaurant. Cameron while being chased accidentally stumbles onto a movie set where a World War I epic is being shot. After almost being killed by a stunt man on a bridge by a car Cameron picks up an object and throws it at the windshield of the vehicle causing it to swerve off the bridge and fall into a nearby river. A helicopter suddenly descends in front of Cameron. Inside it are the filmcrew documenting the bridge scene with it's director Eli Cross ( Peter O'Toole) starring at Cameron and what has happened. Cameron flees from the scene as the helicopter soars away. Eventually Eli Cross meets up with Cameron and convinces him to replace the stunt man or Cross will turn him into the police. Cameron has little choice. Thus begins the main characters harrowing journey.
The Stunt Man is a complex and multilayered film. It requires multiple viewings in order to catch all of the subtleties and nuances. As the film progresses we see Cameron placed into various stunt scenes, each one more dangerous than the last. Is Eli Cross trying to kill him? The film is a fascinating battle of psychological mind games. Cameron's perception of reality becomes skewed with the fantasy world of filmmaking as he becomes less able to distinguish until the final frame. We the viewer are also constantly confused as the film makes many unpredictable twists and turns with it's convoluted plot. Peter O'Toole is perfect as the flamboyant, megalomanical filmmaker. No one else could to the role justice and bring that much class to the part. Barbara Hershey is also good as the lead actress of Eli Cross' film who becomes romantically involved with Cameron. I have many favorite scenes from the movie. Especially the crash course in stunt work Cameron is given by the lead stunt man played by Chuck Bail, a real life former stunt man. Director Rush has seamlessly balanced pathos with humor to create a unique film of epic proportions. It is a film that the viewer must discipline oneself in order to watch.....but what a payoff.
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