A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important... See full summary »
Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit. He shows Pete's daughter ... See full summary »
Murphy is the sole survivor of his crew, that has been massacred by a German U-Boat in the closing days of World War II. He lands on the shore somewhere on the river Orinoco delta and ... See full summary »
American engineer Steve Corey comes to Mexico to work at one of the mining projects owned by Katherine Beckman and her half-brother Paul. He meets Katherine, and the man he is replacing, ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <email@example.com>
The opening scene with the dog licking its genitals was shot multiple time and after a while the dog in question got refused to repeatedly lick its genitals so the trainer had to apply peanut butter to the dog testicles and sheath by rubbing it on, this encourage the dog to lick it off and allowed the scene to be shot multiple times. See more »
At dinner, after Eli's line "This film... is not about fighting wars, Sam," Sam's right arm jumps; first it is putting some food in his mouth and then it's resting on the table. See more »
[after a cameraman says cut because there's only 22 seconds of film left]
In 22 seconds, I could break your fucking spine. In 22 seconds, I could pinch your head off like a fucking insect and spin it all over the fucking pavement. In 22 seconds, I could put 22 bullets inside your ridiculous gut. What I seem unable to do in 22 seconds is to keep you from fucking up my film!
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
This movie is a slightly surreal comedy about moviemaking. It's told with the perspective (if not always from the point of view) of a young fugitive who wanders onto the set and gets hired due to various complications. The movie people all seem larger than life to the fugitive, and since he's a little paranoid anyway, their motives seem complex and suspect. Peter O'Toole gives his usual performance, and he's perfect here as the flamboyant director (he must have had a great time sending up some blowhards of his past with this role). Steven Railsback does his usual disoriented guy on the edge, and he does it with a rather touchingly naive quality this time. Barbara Hershey is the leading lady love interest, delivers an intelligent and understated performance, and is appropriately bewitchingly beautiful.
Roger Ebert didn't like this movie, but he got confused into thinking that it was something deeper than a comedy. It's about as deep as "Get Shorty", but with a completely different feel.
The movie holds up pretty well, although the special effects look a little clunky sometimes, and I remember thinking they were pretty good when I saw the movie in its initial release. But the clunkiness isn't really distracting, and since the movie's attempts to "deceive" are all firmly tongue-in-cheek, it doesn't hurt.
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