A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important... See full summary »
Murphy is the sole survivor of his crew, that has been massacred by a German U-Boat in the closing days of World War II. He lands on the shore somewhere on the river Orinoco delta and ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <firstname.lastname@example.org>
The film was a dream project for director Richard Rush. The film has frequently being publicized as taking nine years to get to the screen. However, Rush has said on the website for The Sinister Saga of Making 'The Stunt Man' (2000), that the picture took ten years to make from inception to release, seven years to finance it and then three years to release it. The script was first written in 1970 when the rights were first sold. The film was shot in 1978 with post-production conducted in 1979. The picture had trouble getting distributed until 20th Century Fox picked it up and released it in 1980. See more »
When Cameron does a somersault, his position changes as he comes out of the roll. See more »
If you want to get home for Thanksgiving, you better figure the guy coming at you is trying to kill you. Learned that from the gooks.
Gooks? That has a nostalgic ring. You really did call them gooks? I thought that was just Time Magazine.
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
A true original comedy that wouldn't get made today.
This is a very funny and entertaining movie that doesn't fit into any one category. It's about a slightly crazed movie director who is making a WW1 movie in Southern California who hires a fugitive to replace his top stuntman. Peter O'Toole gives perhaps his best performance ever as the egomaniacal filmmaker who will do anything, perhaps even murder someone, in order to protect his artistic vision. The underrated Steve Railsback is good also as the paranoid Vietnam vet turned fugitive from the law. The action scenes are very funny and well-done, especially the rooftop chase. The music score is appropriately clever and matches what's happening on screen. Real-life stunt man Chuck Bail has a good part as a stunt coordinator who shows Railsback the ropes. The editing techniques help blur the line between reality and make-believe. The film is a bit too long, though, and some key scenes go on longer than necessary. These are minor complaints, however, because a film like this doesn't get made very often anymore.
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