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The Stunt Man (1980)

7.3
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Ratings: 7.3/10 from 6,095 users  
Reviews: 80 user | 63 critic

A fugitive stumbles on a movie set just when they need a new stunt man, takes the job as a way to hide out, and falls for the leading lady.

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(screenplay), (adaptation), 1 more credit »
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Title: The Stunt Man (1980)

The Stunt Man (1980) on IMDb 7.3/10

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Nominated for 3 Oscars. Another 5 wins & 7 nominations. See more awards »

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    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

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Cast

Cast overview, first billed only:
...
...
Cameron
...
...
Sam (as Allen Goorwitz)
...
Jake
...
Denise
...
Raymond Bailey
Philip Bruns ...
Ace
Charles Bail ...
...
Gabe / Eli's cameraman
Jim Hess ...
Henry / Eli's camera assistant
John Pearce ...
Garage Guard (as John B. Pearce)
Michael Railsback ...
Burt
George Wallace ...
Father (as George D. Wallace)
Dee Carroll ...
Mother
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Storyline

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

"If God could do the things that we can do, he'd be a happy man . . ." See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 February 1981 (France)  »

Also Known As:

Le diable en boîte  »

Filming Locations:

 »

Box Office

Budget:

$3,500,000 (estimated)

Gross:

SEK 1,815,060 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Lead actor Peter O'Toole reportedly struggled to find a suitable outfit for his role as obsessive director Eli Cross. After several days trying to find a suitable wardrobe, director Richard Rush got him to wear clothes which were replicas of his own, complete with matching viewfinder. It's been said that Rush's personality influenced O'Toole's portrayal of a fictional movie director. See more »

Goofs

The car used in the main "driving off the bridge" scene is consistently described as a Duesenberg, but it has the well known Mercedes-Benz hood ornament. See more »

Quotes

Eli Cross: Well, talking of jail, would you be very upset if I asked just how many policemen are after you?
Cameron: Me? I don't know what you are talking about.
Eli Cross: The way you ran from the bridge, and the look on your face, and your charm bracelet. That's what I'm talking about. I suppose care to tell me what it is that you did?
See more »

Crazy Credits

After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »

Connections

Referenced in The Night Of The Great Chinese Lottery (2013) See more »

Soundtracks

Bits & Pieces
Music by Dominic Frontiere
Lyrics by Norman Gimbel
Sung by Dusty Springfield
See more »

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User Reviews

 
A true original comedy that wouldn't get made today.
27 August 1999 | by (Stockton, California) – See all my reviews

This is a very funny and entertaining movie that doesn't fit into any one category. It's about a slightly crazed movie director who is making a WW1 movie in Southern California who hires a fugitive to replace his top stuntman. Peter O'Toole gives perhaps his best performance ever as the egomaniacal filmmaker who will do anything, perhaps even murder someone, in order to protect his artistic vision. The underrated Steve Railsback is good also as the paranoid Vietnam vet turned fugitive from the law. The action scenes are very funny and well-done, especially the rooftop chase. The music score is appropriately clever and matches what's happening on screen. Real-life stunt man Chuck Bail has a good part as a stunt coordinator who shows Railsback the ropes. The editing techniques help blur the line between reality and make-believe. The film is a bit too long, though, and some key scenes go on longer than necessary. These are minor complaints, however, because a film like this doesn't get made very often anymore.


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