A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
A group of military officers, angered and frustrated by the corruption and repression of the current government, finally decide that for the good of the country they must overthrow the ... See full summary »
Slapstick comedy based on the play by George Bernard Shaw. A stiff English officer, captain Charles Edstaston (Peter O'Toole), and his fiancée Claire arrive in St Petersburg. Edstaston is ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <firstname.lastname@example.org>
The movie's main "Stunt Man" character (played by Steve Railsback) is described by his director character Eli Cross (Peter O'Toole) in the film as being "A stuntman. Who is an actor. Who is a character in a movie. Who is an enemy soldier". Similarly, on the Australian home video sleeve notes, the persona's many layers is further detailed by stating that 'The Stunt Man' character is a "fugitive [who] becomes a stunt man who doubles for an actor . . . who plays an American flyer posing as a German soldier . . . who is a fugitive". See more »
One minute, Cameron is on a bridge in the town of Fair Oaks, California, and Eli Cross is in a helicopter observing him. Then, inexplicably, they're all in San Diego, California, over 100 miles to the southwest. See more »
After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I was prepared to dislike this film when I heard that it was going to replace the incredible "Empire Strikes Back." What I got was shock. Here was something different, something innovative in style and technique, something amazing. Vader and his gang were soon forgotten as I got caught up in the suspense (Will Cameron survive?), the comedy, the incredible dialogue, and one of the best soundtracks ever put on film. I fell in love with Barbara Hershey all over again after too long an absence. O'Toole was Oscar-worthy, and robbed of one. Richard Rush pulled a one-of-a-kind out of his hat, ala "Citizen Kane." He has never been near this level before or since. This must be watched several times in order to see and hear everything. There are so many subtle touches that are brilliant that I still find them 20 years and 30+ viewings later. A must for anyone who wants to know good film great. No doubt about this one. A "10" out of "10." No film was better(or as good) in the 1980's (or 90's for that matter.)
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