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Stone Cold Dead (1979)

Sergeant Boyd's police search to find a sniper who has been shooting hookers.




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Cast overview, first billed only:
Sgt. Boyd
Julius Kurtz
Linda Sorensen ...
Monica Page
Sandy MacAuley (as Belinda J. Montgomery)
Sgt. Tony Colabre (as Charles Shamata)
Olivia Page
Andrée Cousineau ...
Bernice Carnival
Dr. Bouvier
Claudia Grissom
Frank Moore ...
Teddy Mann
Insp. Webb
Dennis Strong ...
Danny De Lion
Miles Potter
Marie Clark


Sergeant Boyd's police search to find a sniper who has been shooting hookers.

Plot Summary | Add Synopsis


A lady of the night can sell anything...even her life.


Crime | Thriller


R | See all certifications »




Release Date:

5 March 1980 (USA)  »

Also Known As:

Les clichés de la haine  »

Filming Locations:

Box Office


CAD 900,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:


(Bellevue Pathe)

Aspect Ratio:

1.85 : 1
See  »

Did You Know?


When Danny uses an M16 rifle in semi-automatic mode to shoot Sandy and the other man in the red Fiat, the sounds of a manual reload/cocking can be heard between shots, even though the M16 wouldn't do that, nor do his hands move. See more »


Julius Kurtz: Oh, hello, officers. I see the Mayor's annual clean up campaign is in full swing. I must commend him in the morning.
Sgt. Boyd: [the other officer starts to frisk him] Alright, take it easy, take it easy.
Julius Kurtz: [the officer finds a gun] Voila! Magique - ze gun permit. Signed by the Mayor.
Sgt. Boyd: Pimp!
Julius Kurtz: No, no, not really, more of a traffic cop. I mean I direct people to things that they're looking for. For this, they love me. Mason, here, he prays for me. Would you like Mason to pray for you? He'd do that you know - if I...
See more »


Referenced in Deadly Eyes: An Interview with Lesleh Donaldson (2014) See more »


Stop Think It Over
performed by Beverley Sjoberg
Composed by Guidona Lee
See more »

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User Reviews

Smile for the sniper rifle
10 August 2010 | by (Cleburne, TX) – See all my reviews

A crazed sniper is killing prostitutes in Toronto. Using a camera mounted on the gun, the killer takes pictures of the victims as they're gunned down. Boyd (Richard Crenna) is a police sergeant who suspects high-level pimp, Julius Kurtz (Paul Williams), of being behind the slayings. Harboring an intense distaste for Kurtz, Boyd would like nothing more than to lock him up and throw away the key, but are these cases ever that easy?

"Stone Cold Dead" is a grimy amalgamation of giallo, crime drama and exploitation archetypes. The sniper's appearance and M.O. are straight out of a giallo, as is the terrific music that pops up whenever the sniper is in action. I also loved the scenes in the killer's darkroom with whispering voices running rampantly through a damaged psyche. The addition of the camera mount to shoot pictures and bullets at the same time is certainly an inspired touch. Psychological aspect aside, it ensures that the various murder scenes lack a feeling of repetition.

The atmosphere of the film is one of grunge and decay. The photography is gritty, due in part to the budget, and the locations are trashy. It's an appropriate look, and this thing would have been right at home on the grindhouse circuit. There's an ample amount of sleaze on display as we're treated to the underbelly of Toronto. Kurtz dealing with his girls and Boyd's quest to bring him down get as much screen time as the hunt for the killer.

Paul Williams gives a standout performance as Kurtz, a classy type who actually shows a level of compassion and respect for those under his employ. His character is supposed to be scum, yet I actually found him to be more likable than Richard Crenna's hard-ass sergeant. Boyd isn't all bad, however, as he makes sure that his pet fish are taken care of when he's too busy to come home. How? By rigging up a contraption that feeds them when he calls his house. Genre favorite Michael Ironside shows up in one of the briefest roles ever as an ill-fated cop. What a tease! I was going back and forth between two characters when it came to determining the sniper's identity. I managed to get it right about fifteen minutes before the reveal. The revelation scene itself is a winner, as the individual playing the killer gives an impressive performance.

While some of the subplots only serve to slow the film down, this seldom-seen little cheapie has a lot going for it, especially if you're into gialli. It's also quite similar in overall feel to another seedy Canadian flick from the period, "American Nightmare", only this one is far superior. I saw this when it played on MGM HD, and the hi-def image quality was impressive.

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