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Sandy Bates, a successful filmmaker, attends a festival conducted to honor his work. During the course of the weekend he reconsiders his cinematic accomplishments as well as his past relationships. Written by
Scott R. Vaughn <firstname.lastname@example.org>
When Woody Allen edited his films, he would play old music records in the cutting room to help him establish the rhythm of a scene being edited. This was the first movie in which Allen used the old music on his movie's soundtrack. See more »
Oh, oh. Th-this is my friend Libby. She thinks you're a genius. Libby just did a definitive cinematic study of Gummo Marx. She did!
Interestingly, he's the one Marx brother that never made any movies.
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Only a filmmaking genius like Woody Allen could bring such viable characters to the screen with such life and perception. Allen (who also scripted) is Sandy Bates, an acclaimed, world-reknowned director who attends a weekend festival honoring his works. When he's not being bombarded by mobs of autograph hounds and PR people, he takes time to reflect on himself and the three diverse women in his life: drug-abusing actress Dorrie (Charlotte Rampling), wistful violinist Daisy (Jessica Harper, who also appeared in Allen's "Love and Death" (1975)) and French housewife Isobel (Academy Award-nominee Marie-Christine Barrault). Loaded with the crisp dialogue that we've come to expect from Allen (Best line: "I would trade that Oscar for one more second of life"), "Stardust Memories" is noticably one of Allen's most personal films. Also, what makes "SM" unlike his other works, where his characters do a lot of interacting, the film's focus is mainly on Allen (most beautifully) interacting with himself mentally. Sharon Stone has a bit part in the beginning as a train passenger. Gordon Willis' cinematography is gorgeous. ***1/2 of ****.
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