The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
Socialite Anatol Spencer seeks a better relation that he has with his wife. He sets up the friend of his youth Emilie in an apartment only to have her two-time him. He comforts the near ... See full summary »
Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and ... See full summary »
Sandy Bates, a successful filmmaker, attends a festival conducted to honor his work. During the course of the weekend he reconsiders his cinematic accomplishments as well as his past relationships. Written by
Scott R. Vaughn <firstname.lastname@example.org>
The enlarged-photo-themed wallpaper in Sandy's apartment changed to offer reflections on or counterpoints to the scenes in which they appear. In the scene where Sandy & Dorrie are arguing about his flirting with her 13-year-old cousin it shows a newspaper headline that reads "Incest betw... father's and..." See more »
What is it the comedian says when his jokes are going well? "I murdered that audience"..."I killed 'em"..."They screamed"..."I broke 'em up."
Yeah. So-so what are you saying? Are you saying that someone like-like myself or... or Laurel and Hardy, or-or Bob Hope are furious?
Furious or latent homosexual.
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Reading some of the comments listed here, I'm dismayed by some of the narrowness of the criticisms ("It's shot in black & white for no reason!" "The flashbacks are indistinguishable from the present day!")... as if these were somehow to be construed as mistakes. Jeez.
I love this film. It rambles a little here and there, and sometimes it's so personal I feel voyeuristic watching it. The montage of Charlotte Rampling towards the end is stunning in how it summarizes Allen's feelings about memory, nostalgia, and the ever-present reality that never seems to allow the past to make sense.
One cannot deny that Allen has a very keen understanding of who he is, as a person, comedian, and lover. This is not to say that he is infallible or somehow more evolved than anyone else, but rather - through the retrospective of his "earlier funny films" - it's clear that he understands his strengths, and - outside the theatre - the weaknesses of his emotional life.
A perfect film for a quiet Sunday.
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