Stardust Memories (1980) 7.2
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films. Director:Woody AllenWriter:Woody Allen |
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Stardust Memories (1980) 7.2
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films. Director:Woody AllenWriter:Woody Allen |
|
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| Cast overview, first billed only: | |||
| Woody Allen | ... | ||
| Charlotte Rampling | ... |
Dorrie
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| Jessica Harper | ... |
Daisy
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Marie-Christine Barrault | ... |
Isobel
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| Tony Roberts | ... |
Tony
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| Daniel Stern | ... |
Actor
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| Amy Wright | ... |
Shelley - Sandy's Bed Hopper
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Helen Hanft | ... |
Vivian Orkin
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| John Rothman | ... |
Jack Abel
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Anne De Salvo | ... |
Sandy's Sister
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Joan Neuman | ... |
Sandy's Mother
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Ken Chapin | ... |
Sandy's Father
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| Leonardo Cimino | ... |
Sandy's Analyst
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Eli Mintz | ... |
Old Man
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Bob Maroff | ... |
Jerry Abraham
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Sandy Bates, a successful filmmaker, attends a festival conducted to honor his work. During the course of the weekend he reconsiders his cinematic accomplishments as well as his past relationships. Written by Scott R. Vaughn <scott@vaughn.hon.msu.edu>
Only a filmmaking genius like Woody Allen could bring such viable characters to the screen with such life and perception. Allen (who also scripted) is Sandy Bates, an acclaimed, world-reknowned director who attends a weekend festival honoring his works. When he's not being bombarded by mobs of autograph hounds and PR people, he takes time to reflect on himself and the three diverse women in his life: drug-abusing actress Dorrie (Charlotte Rampling), wistful violinist Daisy (Jessica Harper, who also appeared in Allen's "Love and Death" (1975)) and French housewife Isobel (Academy Award-nominee Marie-Christine Barrault). Loaded with the crisp dialogue that we've come to expect from Allen (Best line: "I would trade that Oscar for one more second of life"), "Stardust Memories" is noticably one of Allen's most personal films. Also, what makes "SM" unlike his other works, where his characters do a lot of interacting, the film's focus is mainly on Allen (most beautifully) interacting with himself mentally. Sharon Stone has a bit part in the beginning as a train passenger. Gordon Willis' cinematography is gorgeous. ***1/2 of ****.