A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her ... See full summary »
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
During World War II in the Netherlands, resistance-leader Arie is shot by the Dutch SS-man Niels. Arie's comrades pledge to avenge his death. 35 years later one of them, Ab, is confronted ... See full summary »
When Michelle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving ... See full summary »
A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her brother, sells French fries and hot dogs at the races. Everyone is looking for a better life. She wants out of the business and away from her brother. The motocross racers want to make their marks as professional racers, like their hero, played by Rutger Hauer. Written by
Mark Logan <email@example.com>
The first movie by Paul Verhoeven and Gerard Soeteman that was not produced by Rob Houwer. They left Houwer over the many artistic and financial arguments they had had over the years, and went to Joop van den Ende, who was pretty much the only other large producer in the Netherlands who could secure the necessary budget at the time. See more »
During the first bike race which Hans (Maarten Spanjer) loses because his bike breaks down, he gets splattered with dirt/mud all over his white jersey. But when he is at the trailer getting food moments later, his jersey is free of mud and dirt. See more »
Rather hectic than smooth... and with scenes for scenes' sake
The film in question is a good proof of changes in mentality and values, it is currently awkward to state that it caused so much fuzz and protests. However, Paul Verhoeven has included too many topics with his own approach full of anxiety, sexuality and violence; as for evenness, versatility is seldom a solution, as viewers see too many sidelines, focusing on main themes is vexed: ridiculing the police and the press, for example, provided no additional value to this coming of age story of three young men dreaming of an escape from their provincial surroundings. Gay theme could have been avoided as well... As for the cast, I liked Renée Soutendijk most, those depicting lads were uninviting to me. Unfortunately, Jeroen Krabbé and Rutger Hauer had too small, although colourful roles.
Nevertheless, Spetters gives a realistic picture of the Dutch youth and values in the end of 1970ies, strongly influenced by disco music, Grease and rise of sexual self-awareness among women. And it was pleasant to watch beautiful Dutch cities without cars parking everywhere, disturbing the view onto canals and houses...
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