A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her ... See full summary »
Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to ... See full summary »
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
During World War II in the Netherlands, resistance-leader Arie is shot by the Dutch SS-man Niels. Arie's comrades pledge to avenge his death. 35 years later one of them, Ab, is confronted ... See full summary »
When Michelle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving ... See full summary »
A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her brother, sells French fries and hot dogs at the races. Everyone is looking for a better life. She wants out of the business and away from her brother. The motocross racers want to make their marks as professional racers, like their hero, played by Rutger Hauer. Written by
Mark Logan <email@example.com>
The film was heavily criticized in Holland. Many critics accused the film of being anti-women, anti-gay, anti-invalid, and anti-Chistian. They also called it devoid of morals and needlessly decadent. This criticism was one of the contributing factors in Paul Verhoeven's decision to begin making films in America rather than his native land. In fact, on the film's commentary track Verhoeven states that the reason he was not fazed by the negative criticism of his film Showgirls (1995) was because he'd already been through it with Spetters (1980). See more »
During the first bike race which Hans (Maarten Spanjer) loses because his bike breaks down, he gets splattered with dirt/mud all over his white jersey. But when he is at the trailer getting food moments later, his jersey is free of mud and dirt. See more »
Treats the male body and sexuality as if they're normal
The best thing about this movie is its extremely casual treatment of sex and male nudity - casual even for a European movie, and I've seen lots of them - just as if the male body and human sexuality were normal, natural and an integral part of everyday life.
Oh, wait... THEY ARE!! So what makes this movie remarkable is that it treats something that is about as natural as anything can be as if it really IS natural!
Isn't this a crazy world? that such a simple, straightforward concept can be still so controversial more than 30 years later that we have people expressing their horror and outrage in online reviews of this movie? It's amazing.
As if no man in real life ever gets an erection; as if no woman ever idly plays with a man's penis as if it were a flower; as if young straight men never compare the size of their penises. ALL of that happens in real life, but in a movie? HA! It should, but it doesn't.
So the way the male body and sex are treated in this movie is much more extraordinary and refreshing than it ought to be. Otherwise, this movie is okay but a little tiresome.
The focus on motorcycle racing is tedious. The acting is okay but not great (the movie's only two experienced actors - Jeroen Krabbé and Rutger Hauer - overact to such a clownish extent that it's embarrassing; but maybe that's just how Dutch actors are taught to act, because the novices are a lot more realistic).
The story is not particularly engaging and not at all believable (particularly one character's violent coming-out). And the woman who drives all the men crazy looks to me like a Cabbage Patch Kid with WAY too much makeup on - not sexy *AT ALL* - but then I'm gay, so I'm often dumbfounded by what turns straight men on.
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