A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her ... See full summary »
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her brother, sells French fries and hot dogs at the races. Everyone is looking for a better life. She wants out of the business and away from her brother. The motocross racers want to make their marks as professional racers, like their hero, played by Rutger Hauer. Written by
Mark Logan <firstname.lastname@example.org>
When Fientje confronts the journalist, she pulls her big blue Chevy right in front of the journalists sports car from his left side. He even leans on her car just a few feet away from his car while talking to her. Moments later, they both get into his sports car and he drives forward and to the left, exactly where her car should be. See more »
Rather hectic than smooth... and with scenes for scenes' sake
The film in question is a good proof of changes in mentality and values, it is currently awkward to state that it caused so much fuzz and protests. However, Paul Verhoeven has included too many topics with his own approach full of anxiety, sexuality and violence; as for evenness, versatility is seldom a solution, as viewers see too many sidelines, focusing on main themes is vexed: ridiculing the police and the press, for example, provided no additional value to this coming of age story of three young men dreaming of an escape from their provincial surroundings. Gay theme could have been avoided as well... As for the cast, I liked Renée Soutendijk most, those depicting lads were uninviting to me. Unfortunately, Jeroen Krabbé and Rutger Hauer had too small, although colourful roles.
Nevertheless, Spetters gives a realistic picture of the Dutch youth and values in the end of 1970ies, strongly influenced by disco music, Grease and rise of sexual self-awareness among women. And it was pleasant to watch beautiful Dutch cities without cars parking everywhere, disturbing the view onto canals and houses...
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