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Sono fotogenico (1980)
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Overview
User Rating:
Release Date:
16 March 1980 (France) morePlot:
Antonio vive a Laveno, sulle sponde del lago Maggiore e nella vita ha una sola passione: il cinema.... more | add synopsisUser Comments:
How to remain a nobody in the movie business moreCast
(Cast overview, first billed only) | Renato Pozzetto | ... | Antonio Barozzi |
| Edwige Fenech | ... | Cinzia Pancaldi |
| Aldo Maccione | ... | Pedretti - Lawyer |
| Julien Guiomar | ... | Carlo Simoni |
| Michel Galabru | ... | Del Giudice - Producer |
| Gino Santercole | ... | Sergio |
| Massimo Boldi | ... | Sandro Rubizzi |
| Livia Ermoli | ||
| Paolo Baroni | ... | Paolino |
| Eolo Capritti | ... | Train passenger |
| Salvatore Campochiaro | ||
| Luigi Di Sales | ||
| Attilio Dottesio | ... | Attilio Turchese |
| Bruna Cealti | ||
| Guido Mariotti |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
117 min | Argentina:120 minLanguage:
ItalianColor:
Color (Eastmancolor)Sound Mix:
MonoFun Stuff
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Antonio Barozzi (Renato Pozzetto) moves from Lago Maggiore to Rome to become an actor. He does not realize his agent (Aldo Maccione) and acting coach (Julien Guiomar) are only manipulating him to further their own careers. A great deal of European stars have small parts or cameo's, some parodying themselves. Edwige Fenech is the most prominent of these, playing a starlet willing to sleep with anyone to get where and what she wants.
While stuck in an elevator for what seems like forever, a famous movie producer (Michel Galabru) offers Antonio a part in a Hollywood production. It is ironic that the footage shot in L.A. looks like it was all filmed on one day of driving around town. Hollywood turns out to be the final crippling blow for Antonio when he is forced to become a stuntman.
This cynical look at the movie business is just a collection of unrelated comic scenes. In the end, both Antonio and the film have still achieved nothing. His moronic character does not exactly conjure up a lot of sympathy either. At least Edwige Fenech is always worth a look, earning the film another point (though she only appears sporadically).
5 out of 10