1 out of 3 people found the following comment useful :- Kubrick Lite still Makes for One of the Best Horror Movies Ever, 26 July 2003
Author:
David H. Schleicher from New Jersey, USA
When you compare this film adaptation of King's hack novel to other films
from Kubrick ("2001" or "Clockwork Orange"), there really isn't much depth
here. The stuff is pretty straight forward. Family shacks up at haunted
hotel and dad goes nuts and tries to ax everyone. Still it's pretty damn
scary because Kubrick films it like a work of art (the aerial shots of
mountains and the Overlook are haunting to say the least, as are the creepy
interior shots of the hotel), and he sets the mood so well (there's an
underlying sense of doom sleeping beneath the slow pace and cold feel to the
film). This film has aged very well, and is often sighted by fans and
critics alike as one of the best horror movies ever made (even if it is
Kubrick's slightest film). The reason I think it has held up so well over
time is because it can be watched on two levels. You can take it all very
seriously and creep yourself out big time, or you can enjoy it
tongue-in-cheek and howl over Nicholson's over the top performance, Shelley
Duval's incompetent whining, and the flat out weirdness of it all (dead old
naked lady laughing in bathtub, blood flooding out of elevators, a little
boy driving a Big Wheel down the haunted halls of the Overlook). Let it
give you nightmares, and then get your revenge by playing a drinking game to
it the next time you watch it.
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1 out of 3 people found the following comment useful :-

Kubrick Lite still Makes for One of the Best Horror Movies Ever, 26 July 2003
Author: David H. Schleicher from New Jersey, USA
When you compare this film adaptation of King's hack novel to other films from Kubrick ("2001" or "Clockwork Orange"), there really isn't much depth here. The stuff is pretty straight forward. Family shacks up at haunted hotel and dad goes nuts and tries to ax everyone. Still it's pretty damn scary because Kubrick films it like a work of art (the aerial shots of mountains and the Overlook are haunting to say the least, as are the creepy interior shots of the hotel), and he sets the mood so well (there's an underlying sense of doom sleeping beneath the slow pace and cold feel to the film). This film has aged very well, and is often sighted by fans and critics alike as one of the best horror movies ever made (even if it is Kubrick's slightest film). The reason I think it has held up so well over time is because it can be watched on two levels. You can take it all very seriously and creep yourself out big time, or you can enjoy it tongue-in-cheek and howl over Nicholson's over the top performance, Shelley Duval's incompetent whining, and the flat out weirdness of it all (dead old naked lady laughing in bathtub, blood flooding out of elevators, a little boy driving a Big Wheel down the haunted halls of the Overlook). Let it give you nightmares, and then get your revenge by playing a drinking game to it the next time you watch it.
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