IMDb > Return to the 36th Chamber (1980)

Return to the 36th Chamber (1980) More at IMDbPro »Shao Lin da peng da shi (original title)

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Down 16% in popularity this week. See why on IMDbPro.
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Release Date:
August 1982 (USA) See more »
Genre:
Plot:
The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production... See more » | Add synopsis »
NewsDesk:
(4 articles)
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 (From AsianMoviePulse. 10 June 2015, 10:33 AM, PDT)

Farewell to the Master
 (From MUBI. 1 July 2013, 6:59 AM, PDT)

India’s BoxTV grabs Shaw Brothers
 (From ScreenDaily. 27 June 2013, 5:41 AM, PDT)

User Reviews:
A Nutshell Review: Return to the 36th Chamber See more (12 total) »

Cast

  (in credits order)

Directed by
Chia-Liang Liu 
 
Writing credits
(in alphabetical order)
Kuang Ni 

Produced by
Mona Fong .... producer
Run Run Shaw .... executive producer
 
Original Music by
Eddie Wang 
 
Cinematography by
Peter Ngor  (as Ao Zhijun)
 
Film Editing by
Hsing-Lung Chiang 
Yen Hai Li  (as Yen-Hai Li)
 
Art Direction by
Johnson Tsao 
 
Costume Design by
Chi-Yu Liu 
 
Makeup Department
Yen-Lien Peng .... makeup artist
 
Second Unit Director or Assistant Director
Pa-Ching Huang .... assistant director
 
Art Department
Yu Lai .... props
 
Sound Department
Ping Kuang Hsu .... sound recordist
 
Stunts
Hou Hsiao .... assistant stunt coordinator
King Chu Lee .... assistant stunt coordinator
Chia-Liang Liu .... stunt coordinator
 
Camera and Electrical Department
Fen Chen .... lighting technician
Ting Bang Yuan .... lighting technician
 
Other crew
Kang Lin .... production assistant
Cheng Peng .... production assistant
Ju-Chuan Tsai .... script supervisor
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Shao Lin da peng da shi" - Hong Kong (original title)
"Master Killer II" - USA (informal alternative title)
"Return of the Master Killer" - USA
"Return of the 36th Chamber" - Belgium (English title) (video box title)
See more »
Runtime:
Hong Kong:99 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Quotes:
Boss Wang:What style of Kung Fu is this?
Chao Yen-Cheh:Roof-top Kung Fu!
See more »
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3 out of 4 people found the following review useful.
A Nutshell Review: Return to the 36th Chamber, 25 June 2005
Author: DICK STEEL from Singapore

Return to the 36th Chamber is one of those classic Kung-Fu movies which Shaw produces back in the 70s and 80s, whose genre is equivalent to the spaghetti westerns of Hollywood, and the protagonist Gordon Liu, the counterpart to the western's Clint Eastwood. Digitally remastered and a new print made for the Fantastic Film Fest, this is "Presented in Shaw Scope", just like the good old days.

This film is a simple story of good versus evil, told in 3 acts, which more or less sums up the narrative of martial arts films in that era.

Act One sets up the premise. Workers in a dye-mill of a small village are unhappy with their lot, having their wages cut by 20% by incoming manchu gangsters. They can't do much about their exploitation because none of them are martial arts skilled to take on the gangsters, and their boss. At first they had a minor success in getting Liu to impersonate a highly skilled Shaolin monk (one of the best comedy sequences), but their rouse got exposed when they pushed the limit of credibility by impersonating one too many times.

Act Two shows the protagonist wanting to get back at the mob. However, without real martial arts, he embarks on a journey to Shaolin Temple, to try and infiltrate and learn martial arts on the sly. After some slapstick moments, he finally gets accepted by the abbot (whom he impersonated!) but is disappointed at the teaching methods - kinda like Mr Miyagi's style in Karate Kid, but instead of painting fences, he gets to erect scaffoldings all around the temple. Nothing can keep a good man down, and he unwittingly builds strength, endurance and learns kung-fu the unorthodox way.

Act Three is where the fight fest begins. With cheesy sound effects, each obvious non-contact on film is given the maximum impact treatment. But it is rather refreshing watching the fight scenes here, with its wide angled shots to highlight clarity and detail between the sparring partners, and the use of slow-motion only to showcase stunts in different angles. You may find the speed of fights a tad too slow, with some pause in between moves, but with Yuen Wo Ping and his style being used ad-nausem in Hollywood flicks, they sure don't make fight scenes like they used to! Return to the 36th chamber gets a repeat screening on Monday, so, if you're game for a nostalgic trip down memory lane, what are you waiting for?

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