A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn't, and converts him to their cause - to destroy the underground movement. Written by
Paul Reynolds <email@example.com>
The crash scene in the record store prominently features a float hanging from the ceiling for the RSO (Robert Stigwood Organization) record label, who paid for this placement. By the time the film was released, RSO had gone out of business. See more »
At the very beginning of the final fight between Revok and Cameron, Cameron hits Revok in the head with a statue. When the camera cuts to Revok's face before the statue makes contact, there is already blood on Revok's face where the statue is about to hit. See more »
Then what did you need Keller for?
ConSec had hardware. It had contacts. Keller could see the future.
The future? You murdered the future.
That's negative, Cam. Defeatist. Disappoints me to hear you talk that way. You're starting to sound like them.
[continues talking while walking through the room. Cameron takes a stone paperweight in his hands from Revok's desk and observes it]
There's a whole generation of scanners soldiers just a few months away from being born. We'll find them. Train them ...
[...] See more »
As the credits end, the words "Max Security Self Destruct Seconds 1" flash on the screen, then the screen flashes green, as if someone shut the monitor off. See more »
Scanners is Cronenberg's venture into telepathy and the strange workings of the mind(he seems to do one movie on each theme, doesn't he?) While it is not as good as many of his other movies, it's still worthwhile.
First of all, the effects are really good. Some shots easily beat what the best CGI can do today, and some are just plain sick(you'll jump, I promise you). I was actually scratching my head over some things, thinking "how did they do that?", which is a good measure of special effects skills.
Second, the atmosphere is very powerful. It's a dark and unknown world in here, and no-one living in it likes it at all. The characters are all slightly off colour, subnormal. Our hero is no exception. The unknown Stephen Lack does a good-enough job, what with all the grimacing and psycho-playing. The supporting cast is over all sufficient. A treat is, as usual, Michael Ironside, who gives his pretty simple character a nice edge and a personality.
As for the story, it's sometimes hard to follow, and sometimes it lacks something. The ending is a bit rushed as well(even though the climax is incredible).
Still, Scanners is a cult movie and if you can find time, and you're in the right mood, it's certainly worthwhile for it's innovative gore, moody atmosphere and Michael Ironside.
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