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Rude Boy (1980)

 -  Drama | Music  -  19 June 1996 (France)
6.6
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Ratings: 6.6/10 from 754 users  
Reviews: 18 user | 11 critic

A young British punk and roadie for The Clash navigates life in socially torn 1970s England.

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Title: Rude Boy (1980)

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Cast

Credited cast:
Dave Armstrong ...
Police officer
Barry Baker ...
Drum roadie
Terry Barry ...
Police officer
Reg Bazell ...
Police officer
Stephen Behan ...
Fan
Graham Brown ...
Fan
Lizard Brown ...
Suspect
Caroline Coon ...
Band representative
John Daly ...
Bouncer
Hickey Etienne ...
Suspect
Plaxy Exton ...
Fan
Tig Exton ...
Fan
Ian Galland ...
Police officer
Ray Gange ...
Rude Boy
Ben Gaze ...
Police officer
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Storyline

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts. Filmed over a period of years, the written dialog takes on the appearance of improvisation. Written by Edmund Nasjleti <ena375@map.com>

Plot Summary | Plot Synopsis

Taglines:

Featuring The Clash.

Genres:

Drama | Music

Certificate:

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Details

Country:

Language:

Release Date:

19 June 1996 (France)  »

Also Known As:

The Clash: Rude Boy  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
See  »
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Did You Know?

Quotes

Lead guitarist: You know what I think, don't you? I've been watching you.
Rude Boy: Yeah, I noticed. Quite a lot.
Lead guitarist: I been watching you.
Rude Boy: I'll keep it in mind.
Lead guitarist: Do.
See more »

Connections

References Come Play with Me (1977) See more »

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User Reviews

 
It's not exactly One plus One...
7 March 2005 | by (London) – See all my reviews

...despite copying the musicians in the studio trope, the porn-shop as symbol of capitalism and the black/white subplot. However "Rude Boy" perhaps deserves a little more attention than it seems to have received.

As a 'proper movie' it's kind of a washout. Aiming for an improvised cinema-verite feel, it's hamstrung by a fatal lack of tension, having apparently been assembled by people with little grasp of editing, narrative or any kind of cinematic style. Despite this, the concert footage of The Clash is indispensable to anyone with an interest in the era, and shows why they were one of the all-time great rock and roll bands. We have very few 70's punk bands recorded properly on film as opposed to video and the difference in quality is striking. Also, Joe Strummer's death is still quite recent as I write and seeing him here in his prime is poignant in the extreme.

In general there are very few film documents of punk. We have Jarman's "Jubilee" which was more of a neo-Elizabethan fantasia, "The Great Rock and Roll Swindle" with its McClarenite rewriting of history and come-lately nonsense like "Breaking Glass". "Rude Boy" at least doesn't fall into any narrative clichés (if only by barely having a plot) and by its very lack of creative flair may succeed best in giving a picture of the time. For example, unlike the myth-making of the likes of "Sid and Nancy", this shows punk gigs as they actually were - largely populated by lads with feather-cuts and tank tops.

By concentrating on hanger-on Gange instead of the band itself, the filmmakers turn the story into one of the relationship between the band and its fan-base - pointed up by having Strummer sing "All The Young Punks" right through in the studio without the backing track to distract us from the lyric.

The commentator who said this did not give a true picture of the politics of the time is surely wrong. I was there and it seems pretty accurate to me. We see the resurgent National Front, the Anti-Nazi League, the bullishness and racism of the police at the time (which would shortly lead to the Brixton riots) and the rise of Thatcherism out of the bankrupt Butskellite consensus. Ray Gange's character in the film seems intended to represent the British white working class at the time - confused, politically disengaged and borderline racist, the attitudes which led to the Thatcher victory we see at the end of the film. The left, variously represented by the SWP (bureaucratic) and Strummer (by turns tokenistic and diffident) fails to capture Gange's imagination and it is the right who seize on the desire for change and turn it to their own advantage.

Rude Boy is a strange curate's egg, then. There may have been a really good film struggling to get out of this morass, but we'll never know. The special edition DVD has a "Just Play the Clash" function which lets you view only the concert footage and I suspect this will get a lot of use.

Rating? 3/10 for the story, 10/10 for the music.


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I would have given my left testicle to see the Clash!!!! hooligan17
who else was alive when this was made InsaneClownPotsie
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