Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had ... See full summary »
A child witnesses drug dealers murder his parents. He escapes and grows up wild in the city's slums. Years later he emerges to help the residents of the area who are being terrorized by street gangs and drug dealers.
Frank Coleman is a Vietnam veteran dying from cancer brought on by exposure to the defoliant chemical Agent Orange which he turns to Maude DeVictor, a Veterans Administration benefits ... See full summary »
In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
Mary Elizabeth Mastrantonio,
The Secaucus 7 of the film's title are seven friends who, during their college days, were arrested in New Jersey on their way to a protest in Washington. The film takes place ten years after all that, as the friends gather at the home of Mike and Katie, now schoolteachers in New Hampshire, bringing with them old problems and new: Maura has left Jeff and seeks consolation with his best friend, J.T.; J.T., arguably the least successful of the friends, finally gets the courage to move to Los Angeles to start a career as a songwriter; Irene brings her new boyfriend along, hoping he'll like and be liked by her friends and expecting them to challenge him for his more-conservative politics; and more. This is the film that inspired "The Big Chill." Written by
Gary Dickerson <firstname.lastname@example.org>
John Sayles has said about this movie: "Acting is cheap . . . I knew I couldn't afford lots of moving cameras, and cranes and dollies, so I needed to get movement into the film, any way I could. I thought that if I have lots of little subplots, I can always cut to a different subplot, and that'll give the film the movement I need. I realized early on that the film was going to be a group of people, turning thirty, who had lots of subplots with each other." See more »
Camera shadow on the ground during the basketball game when JT falls down. See more »
So listen, what-what kind of music do you like?
Oh, progressive rock mostly.
Which is that?
Oh, King Crimson, Yes, Genesis, Rush...
Right, right. Heavy metal goes to college.
See more »
Some of the comments about "Return" are amazingly vitriolic and appear to have been written by people who hate independent films in general, or who hate "reunion" movies, or who hate low-budget movies, etc., etc., etc. If your comfort zone is Hollywood films with predictable plots and pretty, more or less interchangeable faces you've seen over and over, why watch this film at all?
There are also some misstatements of fact among the comments--it is amazing that someone thinks that "The Big Chill," a blatant piece of Hollywood plagiarism, preceded and inspired this film--but particularly off base is the remark that few of the actors in the film have many additional credits. Yes, there are several actors with only one to three credits. But more than half of them have numerous credits, some as many as 90, and some as writers and producers as well as actors. Furthermore, many of the credits are excellent--most of the TV credits, for example, are for series that are critically acclaimed. In addition, four or five of the actors are well known and respected in the business, whether they are household names or not. If you can use IMDb well enough to make comments, you can also check the accuracy of such statements before making them.
The film may not seem gripping now, since the reunion thing has been done to death. But it is a very important movie, in terms of advancing the popular acceptance of independent films and, of course, launching John Sayles' brilliant career, one which has contributed in a major way to the culture of this country and indeed the world. And it is still good watching for those who do not expect all films to be about action.
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