The story of the 1912 sinking of the largest luxury liner ever built, the tragedy that befell over two thousand of the rich and famous as well as of the poor and unknown passengers aboard the doomed ship.
George C. Scott,
The construction of the RMS Titanic at the Harland and Wolff shipyard in Belfast against the background of union riots, political and religious conflicts, and a romance between a young ambitious engineer and an Italian immigrant.
27 years after the Titanic shipwreck is discovered, the steward and sole salvager of the Titanic, RMS Titanic Incorporated, is holding a private auction, in which they will sell over 5,000 ... See full summary »
A group of Americans are interested in raising the ill-fated Ocean liner Titanic. One of the team members finds out the Russians also have plans to raise the ship from its watery grave. Why all the interest ? A rare mineral on board could be used to power a sound beam that will knock any missile out of the air when entering us airspace. Written by
Colin Tinto <firstname.lastname@example.org>
M. Emmet Walsh's character was originally Al Giordino, Dirk Pitt's literary sidekick. He was called Giordino in some early publicity materials. He was also killed off towards the end of at least one early draft of the script. See more »
Pitt has just come from a meeting where the secrecy of the mission has been stressed, and the decision is clearly stated that no outsiders should learn about the project. But John Bigalow seems to already know before the news is leaked, and asks Pitt to put back the Titanic's pennant when the ship is raised. See more »
One of the runaway budgets of 1979-80, along with "1941", "The Blues Brothers", "Star Trek" and "Heaven's Gate", that ended the era of the '70s auteur and ushered in one where studio executives and producers took took the creative reins back.
Problem with the flick seems to be they focused entirely on the maritime hardware and underwater models. No way could a script so devoid of character development get greenlit by Disney or Dreamworks today. For example, they'd have figured a way to make Anne Archer's character relevant (why she's even in this movie I have no idea).
Jordan's good as Pitt. I agree that somebody needs to wrestle the rights free and film three or four of Clive Cussler's books, but the action of this story was confined to the bottom of the Atlantic and was pretty boring.
I won't even touch on how terrible the underwater models are because, that's really a given. The scene where the Titanic is towed back into New York Harbor wasn't bad though.
Interesting example of how much filmmaking has changed in 20 years. You can just imagine the younger cast, sweeping camera movements and digital fx added if this were shot today. This one feels like something translated from book to screen in the 1960s, actually, like Alistair Maclean "Where Eagles Dare". Very epic, very corny, little or no character development.
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