Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the ... See full summary »
A group of Americans are interested in raising the ill-fated Ocean liner Titanic. One of the team members finds out the Russians also have plans to raise the ship from its watery grave. Why all the interest ? A rare mineral on board could be used to power a sound beam that will knock any missile out of the air when entering us airspace. Written by
Colin Tinto <email@example.com>
Novelist Clive Cussler hated this movie so much that he refused to allow the sale of any film rights for his other Dirk Pitt novels. He finally relented twenty years later, and agreed to sell the rights to three novels. The first to be filmed was Sahara (2005), which Cussler also hated. As such, there was a twenty-five year gap before another Dirk Pitt adventure could make it to the big screen. See more »
When Capt. Prevlov flies over and boards the Titanic, he arrives in a Bell "Huey" UH-1H painted drab olive with the Red Communist Star on the side. The Soviet Navy would not use US helicopters. See more »
What a lovely thing she was... Standing as high in the water as one of your skyscrapers, longer than two rugby fields, and furnishings to match the finest mansions in England. She was one of a kind, no question about it, and God himself, they said, couldn't sink her. Then in two hours she was gone... and fifteen hundred souls with her.
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One of the runaway budgets of 1979-80, along with "1941", "The Blues Brothers", "Star Trek" and "Heaven's Gate", that ended the era of the '70s auteur and ushered in one where studio executives and producers took took the creative reins back.
Problem with the flick seems to be they focused entirely on the maritime hardware and underwater models. No way could a script so devoid of character development get greenlit by Disney or Dreamworks today. For example, they'd have figured a way to make Anne Archer's character relevant (why she's even in this movie I have no idea).
Jordan's good as Pitt. I agree that somebody needs to wrestle the rights free and film three or four of Clive Cussler's books, but the action of this story was confined to the bottom of the Atlantic and was pretty boring.
I won't even touch on how terrible the underwater models are because, that's really a given. The scene where the Titanic is towed back into New York Harbor wasn't bad though.
Interesting example of how much filmmaking has changed in 20 years. You can just imagine the younger cast, sweeping camera movements and digital fx added if this were shot today. This one feels like something translated from book to screen in the 1960s, actually, like Alistair Maclean "Where Eagles Dare". Very epic, very corny, little or no character development.
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