Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has ... See full summary »
The film follows the life of famous 1970s runner Steve Prefontaine from his youth days in Oregon to the University of Oregon where he worked with the legendary coach Bill Bowerman, later to... See full summary »
When Jake LaMotta steps into a boxing ring and obliterates his opponent, he's a prizefighter. But when he treats his family and friends the same way, he's a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family's love, something always seems to come between them. Perhaps it's his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone. Written by
Executives at United Artists were very reluctant to finance the film as they were perturbed by the extreme profanity and violence in the screenplay. With some justification, as it transpired: at one point it was doubtful whether the film would be released in the UK at all due to its extreme nature. See more »
When Jake LaMotta is sitting by the TV arguing with Joey, the bunny ears on the TV change positions between shots. See more »
Jake La Motta:
I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much... Though I'd rather hear you cheer / When you delve... Though I'd rather hear you cheer / When I delve into Shakespeare / "A horse, a horse, my kingdom for a ...
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Jake La Motta's story is no doubt the best movie about boxing of all times together with Robert Wise's The Set-Up. Besides the legendary performance of Robert De Niro, there are many things in this film that will remain in my heart forever: the splendid black & white, the contrast between the slow moving scenes and the frenetic ones, the choice of the music and the sense of loss which entangles the whole movie. De Niro faces another "born loser" role (after Travis Bickle, John Rubin, Johnny Boy) and strikes again; Martin Scorsese is the most poetic director of the last 30 years.
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