A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
When Jake LaMotta steps into a boxing ring and obliterates his opponent, he's a prizefighter. But when he treats his family and friends the same way, he's a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family's love, something always seems to come between them. Perhaps it's his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone. Written by
The real Jake LaMotta has been deaf for most of his life, so most of his anger came out of not understanding what people were saying. He has a 30% use in his right ear, and 70% in the left. See more »
When Jake and Joey are sitting at the kitchen table, Jake tells Joey to grab a towel to hit him. When Joey picks it up Jake says "Now wrap it around your hand," but the first half of the sentence seen from behind Jake focusing on Joey, Jake's mouth is not moving. See more »
Jake La Motta:
I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much... Though I'd rather hear you cheer / When you delve... Though I'd rather hear you cheer / When I delve into Shakespeare / "A horse, a horse, my kingdom for a ...
[...] See more »
Easily one of the most powerful films I have ever seen. I have watched it at least ten times, and it only gets better and better with each viewing. Martin Scorsese is absolutely the greatest filmmaker of the last quarter century, and this film is his best. The story of how boxer Jake LaMotta watched his career and marriage crumble under the weight of his violent temper and deep-rooted misogyny is told with no punches pulled (excuse the bad pun), as Deniro (in what may be his best performance) and Scorsese unflinchingly explore what drove this man over the edge, and what ultimately may have pulled him back. The boxing scenes easily rank with the most brutal and violent moments ever put on film, shot in stark, unadorned black and white and utilizing unlikely sounds including shattering windows and animal cries to great effect. Thelma Schoonmaker's jarring, discordant editing in these scenes also deserves special mention. The scenes of domestic violence are not for the faint of heart, but there is really no other way to tell this story. If there is a more perfect exploration of why as men we act the way we do, then I'd love to see it, because this movie made me re-evaluate my life. 10/10
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