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Directed by | |||
| Paul Lynch | |||
Writing credits | ||
| William Gray | (screenplay) | |
| Robert Guza Jr. | (story) | |
Produced by | |||
| Peter R. Simpson | .... | producer (as Peter Simpson) | |
| Richard Simpson | .... | associate producer | |
Original Music by | |||
| Paul Zaza | |||
| Carl Zittrer | |||
Cinematography by | |||
| Robert C. New | (director of photography) (as Robert New) | ||
Film Editing by | |||
| Brian Ravok | (supervising editor) | ||
Art Direction by | |||
| Reuben Freed | |||
Makeup Department | |||
| Jenny Arbour | .... | hairdresser | |
| Kathleen Mifsud | .... | makeup artist | |
Production Management | |||
| Deanne Judson | .... | executive in charge of production | |
| Maggie McMeekin | .... | assistant production manager | |
| Dan Nyberg | .... | production manager | |
Art Department | |||
| Marmie Charndoff | .... | key props | |
| Jo-Ann Chorney | .... | key set dresser | |
| Robin Collyer | .... | key set dresser | |
| Linda McClelland | .... | assistant props | |
| Mark Molin | .... | construction manager | |
| Dave Ross | .... | storyboard artist | |
| Alan Sharpe | .... | carpenter | |
| Jeff Wilson | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Gary C. Bourgeois | .... | sound re-recordist (as Gary Bourgeois) | |
| Tony Currie | .... | assistant sound editor | |
| Bryan Day | .... | sound recordist (as Brian Day) | |
| Robin Leigh | .... | sound editor | |
| Tom Mather | .... | assistant sound recordist | |
| Bruce Nyznik | .... | supervising sound editor | |
| Andy Malcolm | .... | foley artist (uncredited) | |
Special Effects by | |||
| Allan Cotter | .... | special effects (as Al Cotter) | |
| Warren Keillor | .... | prosthetics | |
| Warren Keillor | .... | special effects (uncredited) | |
Stunts | |||
| Randy Kamula | .... | stunts | |
| Terry Martin | .... | stunt coordinator | |
| Terry Martin | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Karen Pike | .... | stunts | |
| Shelley Cook | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Christophe Bonnière | .... | clapper loader (as Christophe Bonniere) | |
| Carlo Campana | .... | key grip | |
| Greg Farrow | .... | focus puller | |
| Henri Fiks | .... | camera operator: second unit | |
| Robert Fresco | .... | camera operator | |
| Bob Gallant | .... | gaffer | |
| Frieder Hocheim | .... | best boy (as Freider Hochheim) | |
| Marvin Midwicki | .... | clapper loader | |
| Barry Stone | .... | focus puller | |
| Dennis Thompson | .... | assistant grip | |
| David Zimmerman | .... | third grip (uncredited) | |
Casting Department | |||
| Karen Hazzard | .... | casting: Toronto | |
| Sheila Manning | .... | casting: Los Angeles | |
Costume and Wardrobe Department | |||
| Constance Buck | .... | assistant wardrobe | |
| Kat Moyer | .... | wardrobe (as Kathleen Moyer) | |
Editorial Department | |||
| Bill Carter | .... | assistant film editor | |
| Joan Giammarco | .... | assistant film editor | |
| Ian McBride | .... | assistant film editor | |
Music Department | |||
| Highstreet | .... | main source music | |
| Frank Morrone | .... | music recordist | |
| Paul Zaza | .... | original disco music | |
Transportation Department | |||
| Donato Baldassarra | .... | driver captain (as Don Baldassarra) | |
Other crew | |||
| Elizabeth Blomme | .... | publicist | |
| Stan David | .... | production accountant | |
| Aine Furey | .... | location manager (as Aine 'Onya' Furey) | |
| Sarah Grahame | .... | continuity | |
| Jody Morden | .... | production secretary | |
| Linda Moyle | .... | assistant to producer | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |