| Photos (see all 27 | slideshow) |
| Goldie Hawn | ... | Pvt. Judy Benjamin - Judy Goodman | |
| Eileen Brennan | ... | Capt. Doreen Lewis | |
| Armand Assante | ... | Henri Alan Tremont | |
| Robert Webber | ... | Col. Clay Thornbush | |
| Sam Wanamaker | ... | Teddy Benjamin | |
| Barbara Barrie | ... | Harriet Benjamin | |
| Mary Kay Place | ... | Pvt. Mary Lou Glass | |
| Harry Dean Stanton | ... | 1st Sgt. Jim Ballard | |
| Albert Brooks | ... | Yale Goodman | |
| Alan Oppenheimer | ... | Rabbi | |
| Estelle Marlov | ... | Vocalist at Wedding | |
| Everett Covin | ... | Bandleader | |
| Robert Hanley | ... | Arnie | |
| Lee Wallace | ... | Mr. Waxman | |
| James Dybas | ... | Photographer | |
| Gretchen Wyler | ... | Aunt Kissy | |
| Maxine Stuart | ... | Aunt Betty | |
| Lillian Adams | ... | Mrs. Goodman | |
| Sandy Weintraub | ... | Harvey Goodman | |
| Tim Haldeman | ... | Stanley Goodman | |
| Kopi Sotiropulos | ... | Limo Passerby | |
| Stu Nahan | ... | Newscaster | |
| J.P. Bumstead | ... | Induction Officer | |
| Hal Williams | ... | Sgt. L.C. Ross | |
| Toni Kalem | ... | Pvt. Gianelli | |
| Damita Jo Freeman | ... | Pvt. Gloria Moe | |
| Alston Ahern | ... | Pvt. P.J. Soyer | |
| P.J. Soles | ... | Pvt. Wanda Winter | |
| Craig T. Nelson | ... | Capt. William Woodbridge | |
| James R. Barnett | ... | Drill Instructor | |
| Ray Oliver | ... | Red Team Soldier #1 | |
| Robin Hoff | ... | Red Team Soldier #2 | |
| Ed Lewis | ... | Red Team Soldier #3 | |
| Carrol Davis Carson | ... | Referee | |
| Clay Wright | ... | Helicopter Pilot (as Clayton D. Wright) | |
| Danny Wells | ... | Slick Guy | |
| Keone Young | ... | Kim Osaka | |
| George Roberts | ... | Johnny Rourke | |
| Helen Baron | ... | Selma Lemish | |
| Paul Marin | ... | Leo Lemish | |
| Mimi Maynard | ... | Liz Lemish | |
| Alice Hirson | ... | Mrs. Thornbush | |
| Wil Albert | ... | Lt. Rahmi | |
| Richard Herd | ... | Brig. Gen. Foley | |
| Sally Kirkland | ... | Helga | |
| Denise Halma | ... | Gabrielle | |
| Lilyan Chauvin | ... | Mrs. Tremont | |
| David Olivier | ... | Jean Claude | |
| Elie Liardet | ... | Mayor | |
| rest of cast listed alphabetically: | |||
| Allison Caine | ... | Additional Voice (uncredited) | |
| Stéphane Grappelli | ... | Wedding Violinist (uncredited) | |
| Heather Haase | ... | Young Judy Goodman (uncredited) | |
Directed by | |||
| Howard Zieff | |||
Writing credits | ||
| Nancy Meyers | (written by) & | |
| Charles Shyer | (written by) & | |
| Harvey Miller | (written by) | |
Produced by | |||
| Goldie Hawn | .... | executive producer | |
| Nancy Meyers | .... | producer | |
| Harvey Miller | .... | producer | |
| Charles Shyer | .... | producer | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| David M. Walsh | (director of photography) | ||
Film Editing by | |||
| Sheldon Kahn | |||
Casting by | |||
| Wallis Nicita | (as Wally Nicita) | ||
| Jessica Overwise | |||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
| Jeffrey Howard | |||
Set Decoration by | |||
| Arthur Jeph Parker | |||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Rita Bordonaro | .... | hair stylist | |
| E. Thomas Case | .... | makeup artist | |
| Ricardo Romero Jones | .... | makeup artist | |
Production Management | |||
| Henri Jaquillard | .... | production manager: France | |
| David Silver | .... | unit production manager | |
| Juliette Toutain | .... | unit manager: France | |
Second Unit Director or Assistant Director | |||
| Ross Brown | .... | second assistant director | |
| Louis Pitzele | .... | first assistant director: France | |
| Jerry Sobul | .... | first assistant director | |
| Eric Stacey | .... | key second assistant director (uncredited) | |
Art Department | |||
| Harold Broner | .... | construction coordinator | |
| Paul De Santis | .... | assistant property master | |
| Serge Douy | .... | art director: France | |
| Jeffrey Howard | .... | assistant art director | |
| Sherman Labby | .... | production illustrator | |
| Bill MacSems | .... | property master | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Richard Alexander) | |
| Martin Raymond Bolger | .... | sound mixer | |
| Jim Bullock | .... | sound effects editor (as Jimmie Bullock) | |
| Milton C. Burrow | .... | sound effects editor | |
| Andy MacDonald | .... | sound re-recording mixer | |
| William L. Manger | .... | supervising sound editor | |
| Charles E. Moran | .... | sound effects editor | |
| Vern Poore | .... | sound re-recording mixer | |
| Hal Whitby | .... | boom operator | |
Special Effects by | |||
| Robert Peterson | .... | special effects | |
Stunts | |||
| Gina Picerni | .... | stunt double | |
| Glynn Rubin | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Edesa | .... | camera operator | |
| Norman Harris | .... | gaffer | |
| Paul Jacobsen | .... | electrician | |
| Paul Jacobsen | .... | rigger | |
| Ron Kenyon | .... | best boy | |
| Richard Moran | .... | key grip | |
| John R. Shannon | .... | still photographer | |
| Ken Fisher | .... | assistant camera (uncredited) | |
| Adam Glick | .... | set lighting technician (uncredited) | |
| Johnny Walker | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| James M. George | .... | costumer: men (as Jim George) | |
| Victoria Snow | .... | costumer: women | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Lois Freeman | .... | associate film editor | |
| Joe Mosca | .... | assistant film editor | |
| John Walker | .... | color technician | |
| Clayton Collins | .... | apprentice editor (uncredited) | |
Music Department | |||
| Eugene Marks | .... | music editor | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| John M. Woodward | .... | transportation coordinator | |
| Gina August | .... | driver (uncredited) | |
Other crew | |||
| Betty Chaplin | .... | script supervisor | |
| Lynne Coke | .... | assistant to producers | |
| Joan Eisenberg | .... | unit publicist | |
| Gene Fioramonti | .... | location manager | |
| Wayne Fitzgerald | .... | title designer | |
| Edouard Garrouste | .... | production coordinator: France | |
| Deloris Claris Horn | .... | assistant: Ms. Hawn | |
| Bridgette Kelley | .... | assistant to producers | |
| Patrick Meunier | .... | location manager: France | |
| Lee Stitch | .... | production coordinator | |
| Barry Wexler | .... | crab dolly operator | |
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| News articles | IMDb Comedy section | IMDb USA section |
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I can't understand why so many people hated this film, it's always been one of my favorite comedies. I will admit some valid points have been raised here regarding it's weak points. "Private Benjamin" is almost condescendingly feminist at times, particularly in the last half, and I say that in regards to the gross caricatures that the script gives us of stereotypical men who are out to control and manipulate women, as well as the women who are content to simply rely on men and marriage to give them an identity.
However, I think many people forget that this is a comedy and a satire. Like all good comedy, "Private Benjamin" gives us the chance to laugh at ourselves as well as its likeable protagonist. I think Goldie Hawn was great in this film, she really gives Judy a certain depth that goes beyond simply following the direction of the script. Her facial expressions are priceless and evoke some real laughs in the comedy segments, while the more thoughtful parts of the film give her a chance to reveal a vulnerability too. When Judy finally asserts herself as an individual in the film's conclusion, it really rings true thanks to Hawn.
Eileen Brennan is also classic here. She may be playing a one-note type of character, but she plays it to the hilt. Again, I don't think it's a crime that Brennan (and the military in general) are depicted as unpleasant, because it's also these same things that help Judy to find herself, and the film definitely shows the audience that, too.
The sudden shift from slapstick-type humor to a more subtle type of satire may seem jarring for some viewers, but for me I thought it was fine, since watching poor Judy go through hell in basic training would have been boring for an hour and a half anyway.
I get a real kick out of this movie even to this day. "Henri, look....there's Claire!"