The US needs to convince the visiting emir Khala'ad of Othar to allow an American military base in his strategic realm. Clueless nightclub waitress Sunny Ann Davis accidentally spots and ... See full summary »
Set in 1969, a twelve-year-old grows up in Key West with his mother, who is paying the bills by stripping at the local topless bar. The boy finds out about her activities and tries to ... See full summary »
When her husband dies on their wedding night, Judy decides to join the United States Army. She realizes that she has never been independent in her entire life. What looks like a bad decision at first, turns out not so bad at all. That is, until her superior officer makes sexual advances on her. She has been transferred to NATO headquarters in Europe and (re)meets the Frenchman Henri Tremont. Judy and Henri decide to marry, but will they? Written by
Berend Meijer <firstname.lastname@example.org>
Off-duty service men and women were used as extras for the war games and basic training sequences as the replica basic training course was so authentic. See more »
Col. Clay Thornbush (Robert Webber) says that, during the Korean War, he took orders from Douglas MacArthur in 1952. He could not have done this, as MacArthur was relieved of command by President Truman on 10 April 1951. See more »
There are millions of comedies like "Private Benjamin". They are like TV shows that turn out the same joke week after week, (and "Private Benjamin" itself turned into a TV show). The best ones work and stay in the memory, not because the jokes are great, (though sometimes they are), but because the players are good and can develop the characters beyond the mere limitations of the gag. ("Frasier" and "The Golden Girls" fall into this category).
The jokes in "Private Benjamin" are not particularly original but they are funny, and they are funny because there is a near-great comedienne at the heart of Howard Zieff's film. With the right director Goldie Hawn's kookie, goof-ball wooziness was just about perfect and Zieff brings it out. Her character is the kind of woman who needs a good shaking, (Bette Davis would have made mincemeat out of her), but you love her all the same. At least until she starts making a fool of herself with Armand Assante's French sleaze-ball and the film loses it's comic momentum.
There is at least one other grand-standing comic turn from Eileen Brennan as Hawn's drill sergeant. Brennan's like a slightly butcher Mae West, (I think we're meant to assume she's a lesbian), and she gives her lines the kind of inflection that West did. Between them they raise the ante on this one.
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