The US needs to convince the visiting emir Khala'ad of Othar to allow an American military base in his strategic realm. Clueless nightclub waitress Sunny Ann Davis accidentally spots and ... See full summary »
Molly is a high school track coach who knows just as much about football as anyone else on the planet. When the football coach's position becomes vacant, she applies for the job, despite ... See full summary »
When her husband dies on their wedding night, Judy decides to join the United States Army. She realizes that she has never been independent in her entire life. What looks like a bad decision at first, turns out not so bad at all. That is, until her superior officer makes sexual advances on her. She has been transferred to NATO headquarters in Europe and (re)meets the Frenchman Henri Tremont. Judy and Henri decide to marry, but will they? Written by
Berend Meijer <email@example.com>
When Judy finishes cleaning the latrine with her toothbrush she walks out of the room barefoot and carrying her black high heeled shoes. In the next shot however, she is wearing red, knee-high rubber boots which subsequently disappear, leaving her barefoot again. See more »
Hawn's string of successes in the 1980's, Swing Shift, Overboard, Protocol, Seems Like Old Times, and Private Benjamin, are among my favorite comedies of all time. She has timing, presence, and character galore, and this one may just be at the top of my Goldie Hawn list.
The cast is extraordinary. Eileen Brennan is a showstopper as the, shall we say, less than feminine company commander and Benjamin's nemesis, but that's not the start of it. There's an embarrassment of talent here. Craig T. Nelson as the amorous Capt. Woodbridge, Armand Assante as the even more amorous Henri Tremont who sexes Benjamin up, and the still more amorous Albert Brooks, the husband who dies sexing her up, are all stellar. But Sam Wanamaker (see The Competition) and Robert Webber (both sadly deceased) are male role models who may not exactly set the bar very high as father figures, but add a delightful pseudo-machismo as counterpoint to all the talented women.
Mary Kay Place seems so young as a fellow recruit, even more so than in Mary Hartman, Mary Hartman, which is a nice segue to the fact that this, like many Hawn movies, draws from a distinguished television pedigree to deliver its surprising success.
This is one of those perfect little movies that I pull out of the DVD closet several times a year like visiting with an old friend, and it just occurred to me why. It's not nihilistic or deconstructionist or multi-plotted or any of the other crap that has supplanted story and dialog in too many movies since. It's sad that the only available version of the DVD is in pan and scan, as with some other great movies of this era, but I keep hoping for a widescreen release.
Favorite Line: "There are mine fields out there. Most of them are inert. However, some are ert." My recommendation: Enlist with Judy. You could use a good laugh.
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