Buff sailor-man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who's out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to butt Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy tax man, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach! Written by
Dylan Self <email@example.com>
The movie was criticized for not being very faithful to the original cartoons, but it actually has a lot in common with E.C. Segar's original "Thimble Theater" comic, where Popeye first appeared. See more »
During the scene in the Diner where Whimpy sits down at Popeyes table there are two ketchup bottles present. Each time the shot switches perspective, one of the bottles keeps going from half full to completely full. See more »
Oh, what am I? Some kind of barnicle on the dinghy of life? Oh, I ain't no doctors, but I knows that I'm losing me patience. What am I? Some kind of judge or lawyers? Maybe not, but I knows what law suitks me.
[to the prositute]
Careful there, don't ruffle me feathers.
[to himself again]
What am I? I ain't no physcikisk, but I knows what matters. What am I? I'm Popeye the Sailor.
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There is a statement in the closing credits: "Our gratitude to an international crew whose artistry helped to bring Sweethaven and the world of Popeye to life." See more »
I never saw this movie until last week. "Better late than never," I guess, because I liked it. I thought it was good and....in a very different way. I had known of this film for a long time but did not realize it was a musical. That didn't excite me, but I wound up enjoying most of the music because it was only done in short segments and the songs were decent. None were excellent, but none were awful, either.
Popeye was fun to hear. Robin Williams had Popeye's mumbling down to a tee. I suggest you watch this with the English subtitles on so you can get all of what Popeye says, or you'll miss a lot of funny lines because of his mumbling. The same can almost be said of Shelly Duvall's impersonation of "Olive Oyl," although you can understand her better. She, too, was fun to watch. I read somewhere that she was very depressed over her performance in this film, but she shouldn't have been. She was perfect for the role.
I didn't think the supporting characters were much, such as Bluto or Wimpy, but Popeye's dad, "Poopdeck Pappy," (Ray Walston) who appears late in the film is a real hoot, and little baby "Swee Pea" is cute. "Pappy" adds a lot of spark and energy to the film, just when it was really needed. My only concern was that it was a really clean movie up to then and Walston changes that, although not with anything really harsh but a number of "let's haul ass" statements and the like.
However, overall, it's a nice, pleasing type of film. It's no award-winner, but it's a lot better than what you might have read from national critics. If you like Popeye's cartoons and comics, you should like this film, too. I would gladly watch this again.
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