Buff sailor-man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who's out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to butt Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy tax man, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach! Written by
Dylan Self <email@example.com>
Harry Nilsson took a break in the middle of production of his album "Flash Harry" to create the music for this movie. He wrote all of the original songs and co-produced the music with producer Bruce Robb at Cherokee Studios. See more »
In the end, when Bluto is feeding Popeye the spinach, his pipe disappears and then reappears. See more »
Don't talks to me about the future. I hates the future, and I hates the past, and I hates the present. Especially you.
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The film opens and ends with the Sailor's Hornpipe, a famous nautical song. This song is heard as part of Popeye's theme song in the opening, then is heard in its full form at the end of the film. See more »
I see that lots of people hate this movie. I guess I can see why. It's so idiosyncratic, so loose, so out there, so...Altman. But this is truly one of the sweetest, gentlest, and most tender movies I have ever seen. This movie can be enjoyed if for no other reason than for its total lack of irony. Like Popeye, it is what it is. And I believe it to be a masterpiece.
This was Robin Williams first serious movie role (2 full years before Garp) and he is a brilliant Popeye. He brings so much humanity and pathos to this character that it is easy to see the great movies in his future. Shelly Duval was born to play Olive Oyl and she does not squander the role of a lifetime. And in a smaller role, a standout performance is turned in Bill Irwin as Ham, Olive's bumbling, stumbling, clown of an ex-boyfriend.
The real star of the show, however, is the atmosphere that Altman conjures up, bringing the 2d comic strip vividly to life and setting you down in this magical little island town of Sweet Haven. Harry Nilssons score is pitch perfect and his songs help to sketch out the characters motives and emotions ("He Needs Me", sung by Duvall, is currently being revived thanks to it's being prominently featured in PT Anderson's "Punch Drunk Love").
One more thing about this movie- I can watch it with my three year old son and we sing the songs and both enjoy it immensely. There are so few movies that can do that. Like I said, a masterpiece!
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