A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
Buff sailor-man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who's out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to butt Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy tax man, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach! Written by
Dylan Self <email@example.com>
The movie was criticized for not being very faithful to the original cartoons, but it actually has a lot in common with E.C. Segar's original "Thimble Theater" comic, where Popeye first appeared in. See more »
During the scene in the Diner where Whimpy sits down at Popeyes table there are two ketchup bottles present. Each time the shot switches perspective, one of the bottles keeps going from half full to completely full. See more »
The film begins in black-and-white, showing a vintage Paramount logo and the opening credits for the 1930s Paramount-Fleischer Studios Popeye cartoons. However, an animated Popeye appears and sees this is the wrong opening. The movie then cuts to full color, and the opening credits continue. See more »
What's with all the bashing? I never get tired of watching this warm, visceral musical that pulls me in with its myriad textures, striking colors, and unpredictable pacing and dialogue which never seems contrived or scripted (and of course was often expertly improvised). It is the unfettered antithesis to all the shiny, over-produced media of our age. No pretty faces. No product placements. No feel of a commercialized film crafted to be anything other than a comedy musical adaptation of one of my favorite comic strips. It adapts the world of E.C. Daily's style, before King Features "cleaned it up" for animation. Disjointed, rambling...borderline insane, just like the comic! And the music is bonus all the way through. Quirky, playful, simple numbers that perfectly reflect the feel of the old comic. But then again, I liked Hudson Hawk and the Forbidden Zone, so you probably don't want to listen to me. I'm not holding my breath for a commentary-loaded SE DVD.
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