Popeye begins his movie career by singing his theme song, demonstrating his strength at a carnival, dancing the hula with Betty Boop, pummeling Bluto, eating his spinach and saving Olive Oyl from certain doom on the railroad tracks.
After 58 years of Popeye and Bluto fighting over Olive Oyl, they've all decided to finally settle down and start families. Popeye and Olive got married and had a son who hates spinach. ... See full summary »
Buff sailor-man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who's out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to butt Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy tax man, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach! Written by
Dylan Self <email@example.com>
The makeup appliances for Robin Williams's fake forearms were not ready when filming began, so in early shots, Popeye wears a long-sleeved raincoat to hide his normal-sized arms. See more »
When Popeye is hit in the stomach by Oxblood Oxheart after Oxblood accidentally knocks out his mother, Popeye went rolling backwards, but in the next shot he's rolling forwards into the ropes. See more »
Don't talks to me about the future. I hates the future, and I hates the past, and I hates the present. Especially you.
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There is a statement in the closing credits: "Our gratitude to an international crew whose artistry helped to bring Sweethaven and the world of Popeye to life." See more »
Robert Altman was just the right director to bring "Popeye" to live action. His use of naturalistic, overlapping and mumbled speech patterns, used to such good effect in "M*A*S*H," is the perfect fit for the residents of the shanty town of Sweethaven. Along with his production crew, he expertly reconstructs the environs and reanimates the zany spirit of the early black and white Popeye cartoons, the ones before Popeye was cleaned up and turned into a tool of U.S. war propaganda. Robin Williams carries off the title role with expert skill in a performance that he, especially he, very easily could have gone over the top with. Shelley Duvall as Olive Oyl and the kid who played Swee'Pea are likewise letter perfect for their roles.
One of the things I always liked about this movie is the music. Harry Nilsson, a greatly underappreciated talent, came up with a delightful batch of songs that are that are as rich in character as the atmosphere of Sweethaven is full of sodium. Altman's "Popeye," along with Warren Beatty's "Dick Tracy," is one of the rare film versions of a cartoon that succeeds. It does so by staying true to the look and spirit of the original. It wasn't created by committee to be a summer blockbuster, hence it is allowed to have a personality and flavor -- a flavor that blooms with repeat viewings.
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