When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner). When Riza ... See full summary »
Almodovar's first film of life in Madrid during the punk era and not one for the squeamish. He covers everything from drugs and sexual violence, to female masochism. Written by
Stuart Jackson <email@example.com>
This is the power of filmaking. It proves that passion for an art can outstand the difficulties. It might be cheap (it looks cheap) but the redeeming value is the hilarity, the originality of the ideas, the true passion of a true artist.
Director/writer Almodovar, in this first full length, presents us with his absurd unreal world. This is partly a relentless satire of S/M personalities, but intentionally unrealistic and much more. A world where lust is orgasmic and corruption of ethics and loss of dignity are ... funny! This is by no means for those who are offended easily. This is a movie which disregards ever good manner, every culture's rules. Almodovar humour is heretic. If you're up for something different, weird f##ked up humour, then come and join, welcome to Almodovar world. This is not quite recommended to "Talk to her" fans. But if you like early Almodovar, it is essential to search for this, to see how everything started.
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