When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Almodovar's first film of life in Madrid during the punk era and not one for the squeamish. He covers everything from drugs and sexual violence, to female masochism. Written by
Stuart Jackson <firstname.lastname@example.org>
The first feature film from Spanish director Pedro Almodóvar is controversial and shocking, especially the time it was made (although not that shocking in Spain), but also very funny. Basically it is a movie about nothing, although it shows a pop-culture that Almodóvar inhabited.
We see how Pepi (Carmen Maura) is raped by a policeman (Félix Rotaeta) after she offers sex, although tries to back out, so he would not report her illegal cannabis plants. Pepi seeks revenge and she lets her friends beat the guy up. It seems they have beaten his twin brother so Pepi must come up with another plan. She tries this through the policeman's wife named Luci (Eva Siva) who turns out to be a masochist, perfect for Pepi's friend Bom (Olvido Gara) who likes to disparage her.
A film about nothing really, like I said. There are some nice little jokes here, sometimes because they are quite unexpected and therefore shocking. When Luci turns out to be what she is it is Bom who pees all over her; Luci likes it a lot. May be it is shocking, it is pretty funny too. There are more gags like this. One of the best moments is when Pepi has to make her own money, her father has cut her off, and she has an idea of producing menstruating dolls.
Filled with things like this, a sloppy editing and a cinematography that is as good as any amateur would do it can not prevent that this film is simply entertaining. It is not too long and therefore we can finish it. Still, I would start with another Almodóvar film, then see this only as an interesting debut.
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