Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living. Written by
When theatrically released in the United States in 1983, the original title was 'Twilight of the Dead.' Due to the fact that both the title and poster art were derivative of Dawn of the Dead (1978), United Film Distribution Company filed a cease and desist order against Motion Picture Marketing. Posters and prints of the movie bearing the title 'Twilight of the Dead' were pulled, altered and sent back out with the new title 'The Gates of Hell'. See more »
The people of Dunwich are said to be descended from "Salem witch burners", although no accused "witches" were ever burned in Salem (most were hanged). See more »
Mary, tell us what you saw in your last vision.
The city of the dead. The living dead. A cursed city where the gates of hell have been opened.
Where exactly is this city?
I don't know where it is. All that I know is that it's called Dunwich.
Well, I've never heard of it. How do you know? How can you be so sure?
I read the name... on a tombstone.
Mr. Bell, if those gates are left open, it could mean the end of humanity. We've got to get them shut again. At midnight on Monday, we go into All ...
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The Beyond somehow gets more acclaim from the self-proclaimed "artsy" crowd, but this essentially has the same formula, with the same juxtaposition of weak plot & characters and superb disgusting imagery, except with a more consistently oppressive tone and with less meandering, dull parts.
For those who are unfamiliar with Fulci and are just going by the title, there are zombies, but this isn't exactly a zombie flick, per se. It's more like a series of grotesque, surreal events that suggest Lovecraftian cosmic horror. Zombies teleport and make people vomit out their innards, by the way. I guess they're closer to zombie-like apparitions. Anyway...
It's a B-movie with rubbish acting, rubbish plot and all kinds of unintentionally hilarious stuff, so you can have a fun time watching this with friends, but at the same time you could cut the atmosphere with a knife. You'd have a hard time finding many other movies with such a doomed, godless atmosphere. Take the famous drill scene, for example. By now we've well established that humans are at the mercy of otherworldly forces, but there's nothing supernatural happening in this scene; it's a random act of extreme violence stemming from human malice, and this marriage of brutality and nonsense is one of the things that elevates Fulci from high camp into (potentially) genuinely scary, if you want it to be.
It plods a bit near the end, but good luck finding an Italian horror movie with perfect pacing. See it if you dig Fulci, it's just as good as The Beyond.
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