Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living. Written by
The scene where the window opens wide and lots of maggots fly in was filmed with the help of two wind machines and 22 pounds (10 kg) of actual maggots. See more »
In Emily's house, she lays the .38 pistol down on her work bench and pours herself a glass of Jack Daniels and sits the glass back down beside the pistol and bottle. When her visitor pours himself a drink a minute later, same spot, the bottle has become a Dewar's bottle. Two minutes later, the Jack Daniels bottle is across the room on a low end table with the glass beside it. See more »
You don't deserve help! You're a comic book version of a detective, Sergeant!
Well, you look better in your mug shot, you know. The great Theresa. The master medium. Yeah, for you it's all in the book of... of... what's it called?
Yeah, Enoch. According to you, this poor girl is dead because of a book that was written 4,000 years ago. Correct?
That's right. I would find a such an unusual paradox of tremendous appeal terribly stimulating, if I were a sleuth. Enoch provides the explanation...
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Lucio Fulci is a horror icon. He may not be as well known to many film goers in North America as his iconic status was cemented some twenty years ago, but if you like films by Wes Craven and M. Night Shyamalan and even David Fincher, then you can look at Fulci and say that his work has inspired some of theirs. This is the firs film that I saw of Fulci's and it was when I was a teenager and didn't appreciate a film like this. All I saw in it was a blood and gore soaked film with some really violent deaths. How can one forget the drill to the head? To this day, I still think that actor was actually killed on the set? They really did put the drill bit through his brain and captured it on film for artistic integrity.
I am obviously kidding of course, but is the effect the film will have on you. Films like this are brutal and disgusting and if you like horror films that are high on gore, then Fulci and his counterpart, Argento, are the best in the business. I have always found Italian splatter films to be awe inspiring. They are so much more creative than your typical American horror films. That has changed into the new millennium, but there is still nothing like this on the market. Fulci's films, like Craven's 70's films, would be edited and chopped to bits before anything like this would ever be released. And that is a travesty as the vision and the creativity involved in making a film like this not only takes gusto, it takes talent. Fulci is about as good as they come for this genre.
This is what I wrote in my original review of the film. This is when I was in my mid 20's. I have seen the film recently and obviously my appreciation of the film has increased.
"Gates To Hell ( English translation ) is very amateurishly made. It is lacking in the acting and the directing is choppy. But what this film is and what it does is it epitomizes horror and terror. There are really disgusting scenes of brains being eaten, guts being puked up, a drill to the head ( one of favourites ) and lots of blood, guts and tissue. This film uses the fear of religious unknowns and uses that fear brilliantly. It shows us and truly makes us feel what it must be like to feel pain. Real pain. Not the comic violence that you get from Jason and Freddy. But real disgusting terror as you watch people die in heinous ways."
Times change and now I love the film even more. Fulci is a visionary genius and his Gates to Hell is one of the most innovative horror films to come out of any country. This is a must see for every horror fan.
I am just learning about Italian horror. But if this is what the horror genre is all about, then I want to see more of it. Fulci is one of a kind and I don't think there will be another like him. This is his best work. Check it out.
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