A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living. Written by
Michele Soavi: The Italian film director appears as a young man whose date (Daniela Doria) vomits up her internal organs and then has the back of his skull ripped out. See more »
Three minutes in, a noose is slung over a tree branch. The noose is shown dangling no more than 1ft below the branch. The noose swings back and forth but visibly stays at the same height in comparison with a branch directly behind it. The branch is far away. In the next shot the branches are much much closer to the noose. A priest climbs up onto something, approximately the height of a chair, to put the noose around his neck then steps of of what he is standing on (he does not jump) and drops out of frame farther than he climbed up into view. The shot pans up a good two to three feet and fails to show the branch that is previously established as being not more than 1ft above the priests head. This implies that there at least 3 feet of rope should be between the priest and the point of suspension. In the next scene the priest is revealed as being not substantially more than three feet down the rope and hanging near a low brick wall. The brick wall is more than two feet below the priest and there is nothing else for the priest to have climbed onto in frame. To hang himself the priest must have levitated as he ends up hanging higher than a chair could account for (even if a chair realistically fell out of shot behind the low wall). See more »
It's her... Mrs. Holden. This morning she was inside a coffin at the funeral home, and now she's here in my kitchen!
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This film is probably an accidental masterpiece, but a masterpiece nonetheless. Fulci is one of my idols, but I don't think he was a really good filmaker. It was his lack of coherency and almost childlike need to gross you out that made his best films so beloved. Gates of hell is the best of the lot. The film is basically one long wierd, surreal treatise one death and the horror of violent death in particular. Listen to the layered, terrifying soundtrack - wind howls, babies scream, stones grind, skulls break... The much talked about gore is not just gore but completely outlandish, brilliantly excecuted (no pun intended) operatic set pieces that come out of nowhwere and are truly, deeply repulsive. The prog rock score is just as yummy. The non linnear plot creates one of the best pieces of horror/surrealism I've ever seen. The ending is blood chilling because it doesn't make sense. See this movie more than once and realize it's so called faults are part of the reason it's so goddamned great!
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