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Palermo oder Wolfsburg (1980)

 -  Drama  -  October 1980 (USA)
6.9
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Ratings: 6.9/10 from 101 users  
Reviews: 1 user | 6 critic

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Title: Palermo oder Wolfsburg (1980)

Palermo oder Wolfsburg (1980) on IMDb 6.9/10

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2 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
Nicola Zarbo ...
Nicola
...
Staatsanwalt
Ida Di Benedetto ...
Giovanna
Magdalena Montezuma ...
Rechtsanwältin
Johannes Wacker ...
Richter
Antonio Orlando ...
Antonio
Brigitte Tilg ...
Brigitte Hahn
Gisela Hahn ...
Brigittes Mutter
Calogero Arancio ...
Nicolas Vater
Cavaliere Comparato ...
Großgrundbesitzer
Padre Pace ...
Pfarrer
Harry Baer ...
Hausbestzer
Ula Stöckl ...
Schöffin
Tamara Kafka ...
Zeugin
Ines Zamurovic ...
Dolmetscherin
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Storyline

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Genres:

Drama

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Details

Language:

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Release Date:

October 1980 (USA)  »

Also Known As:

Palermo or Wolfsburg  »

Company Credits

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Technical Specs

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Connections

Featured in Mondo Lux - Die Bilderwelten des Werner Schroeter (2011) See more »

Soundtracks

Das Konzert für Violine und Orchester 'Zum Andenken eines Engels'
Music by Alban Berg
Performed by Bayerischen Rundfunkorchester
Conducted by Rafael Kubelík (as Raffael Kubelik)
Deutsche Grammphongesellschaft
(Kat. Nr. 2530033)
Universal Edition AG, Wien
See more »

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User Reviews

Blurb.
7 August 2001 | by (United States) – See all my reviews

Werner Schroeter has fashioned a compelling personal epic about an 18-year-old Sicilian, Nicola, who emigrates to Germany. There he works in a Volkswagen factory, falls in love, and painfully adjusts to a new and incomprehensible way of life. When he realizes his girlfriend is just using him, Nicola strikes out in violence at her two boyfriends. Like BREAD AND CHOCOLATE, the film is about the estrangement of the outsider in what is seen as an alien and hostile society. The only difference is that this not a comedy. It also bears some similarities to Visconti's ROCCO AND HIS BROTHERS, with its theme of the corrupting influence of modern industrial society. The film is neatly divided into two parts, the Sicilian half, with its sunny, warm photographic style and the German half, which becomes grayish and grim. Nicola Zarbo is fine in the lead role among a cast of mostly unknown performers. At three hours the film is a trifle too long but thoroughly involving.


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