| Stefano Patrizi | ... | Michael Stanford | |
| Martine Brochard | ... | Shirley | |
| Henri Garcin | ... | Hans Schwartz | |
| Laura Gemser | ... | Beryl | |
| John Richardson | ... | Oliver | |
| Anita Strindberg | ... | Glenda | |
| Silvia Dionisio | ... | Deborah | |
| Fabrizio Moroni | |||
| rest of cast listed alphabetically: | |||
| Carolyn De Fonseca | ... | Glenda (voice: English version) (uncredited) | |
| Susan Spafford | ... | Beryl (voice: English version) (uncredited) | |
| Pat Starke | ... | Deborah (voice: English version) (uncredited) | |
| Frank von Kuegelgen | ... | Michael Stanford (voice: English version) (uncredited) | |
Directed by | |||
| Riccardo Freda | (as Robert Hampton) | ||
Writing credits(in alphabetical order) | ||
| Antonio Cesare Corti | screenplay | |
| Antonio Cesare Corti | story | |
| Riccardo Freda | screenplay | |
| Simon Mizrahi | dialogue | |
| Fabio Piccioni | screenplay | |
| Fabio Piccioni | story | |
Produced by | |||
| Enzo Boetani | .... | producer | |
| Giuseppe Collura | .... | producer | |
| Simon Mizrahi | .... | producer | |
Original Music by | |||
| Franco Mannino | |||
Cinematography by | |||
| Cristiano Pogany | |||
Film Editing by | |||
| Riccardo Freda | |||
Production Design by | |||
| Giorgio Desideri | |||
Costume Design by | |||
| Giorgio Desideri | |||
Makeup Department | |||
| Sergio Angeloni | .... | makeup artist | |
| Lamberto Marini | .... | makeup artist | |
| Agnese Panarotto | .... | hair stylist | |
Production Management | |||
| Antonella Boetani | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Bernard Cohn | .... | assistant director | |
| Antonio Cesare Corti | .... | assistant director | |
| Jacqueline Freda | .... | second assistant director (uncredited) | |
Sound Department | |||
| Davide Magara | .... | sound | |
Special Effects by | |||
| Angelo Mattei | .... | special effects (uncredited) | |
| Sergio Stivaletti | .... | special effects assistant (uncredited) | |
Camera and Electrical Department | |||
| Deborah Imogen Beer | .... | still photographer (as Debora Beer) | |
| Stefano Guidi | .... | assistant camera | |
| Roberto Lombardi | .... | camera operator (as Roberto Lombardi Dallamano) | |
| Alberico Novelli | .... | chief electrician | |
| Gianni Savini | .... | key grip | |
| Guglielmo Vincioni | .... | camera operator | |
Costume and Wardrobe Department | |||
| Alberto Tosto | .... | assistant costume designer | |
Editorial Department | |||
| Anne Barrault | .... | assistant editor | |
Other crew | |||
| Salvatore Carrara | .... | production secretary | |
| Marialuce Faccenna | .... | continuity (as Maria Luce Faccenna) | |
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| Twitch of the Death Nerve | The Cat o' Nine Tails | The Bird with the Crystal Plumage | What Have You Done to Solange? | Black Belly of the Tarantula |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
I would take some of the other reviews about this film with a pinch of salt - it's not that amazing and it's not that gory, at least in the version I saw under the title "The Wailing". I also suspect a bit of cheating must have occurred to get it the 5.8 rating.
On to the film... It starts with some brilliant music, the sort you used to get in the early 80's horror films. This made me excited for what was to come, but sadly it seemed to go downhill from there. The problem with The Wailing is that it is confusing and the plot meanders too much. There's some dream sequences that go on for so long you forget they are actually dream sequences. Random scenes seem to be thrown together with no connection. There's also a serious lack of lighting, making it even harder to understand what is happening. It reminded me slightly of Lucio Fulci's "The Beyond" because of the meandering plot.
It does have some good points though. As mentioned, the music is great and gives it a real horror 'feel'. However they used it too much; it almost plays through the entire film and gets tiresome after a while. The atmosphere is quite good, and had the plot been more coherent this could have been a really atmospheric horror flick.
This really isn't worth seeking out unless you're a fan of Italian horror, even then you can still do much better. The UK VHS cover is cool though - I'll give it that.