| Photos (See all 18 | slideshow) |
| Donald Sutherland | ... | Calvin Jarrett | |
| Mary Tyler Moore | ... | Beth Jarrett | |
| Judd Hirsch | ... | Dr. Tyrone Berger | |
| Timothy Hutton | ... | Conrad Jarrett | |
| M. Emmet Walsh | ... | Salan | |
| Elizabeth McGovern | ... | Jeannine Pratt | |
| Dinah Manoff | ... | Karen Aldrich | |
| Fredric Lehne | ... | Joe Lazenby | |
| James Sikking | ... | Ray (as James B. Sikking) | |
| Basil Hoffman | ... | Sloan | |
| Quinn K. Redeker | ... | Ward (as Quinn Redeker) | |
| Mariclare Costello | ... | Audrey | |
| Meg Mundy | ... | Grandmother | |
| Elizabeth Hubbard | ... | Ruth | |
| Adam Baldwin | ... | Stillman | |
| Richard Whiting | ... | Grandfather | |
| Scott Doebler | ... | Buck | |
| Carl DiTomasso | ... | Van Buren | |
| Tim Clarke | ... | Truan | |
| Ken Dishner | ... | Genthe | |
| Lisa Smyth | ... | Gail | |
| Ann Eggert | ... | Mitzi | |
| Randall Robbins | ... | Bryce | |
| Cynthia Baker | ... | Ms. Mellon (as Cynthia Baker Johnson) | |
| John Stimpson | ... | John | |
| Liz Kinney | ... | Liz | |
| Steven Hirsch | ... | Mack (as Steve Hirsch) | |
| Rudy Hornish | ... | Ed | |
| Clarissa Downey | ... | Chris | |
| Cynthia Burke | ... | Annie | |
| Jane Alderman | ... | Linda | |
| Paul Preston | ... | Dennis | |
| Gustave Lachenauer | ... | Gus | |
| Marilyn Rockafellow | ... | Sarah | |
| Don Billett | ... | Philip | |
| Ronald Solomon | ... | Joel | |
| Virginia Long | ... | Choir Director | |
| Paula Segal | ... | Shopper | |
| Estelle Meyers | ... | Saleslady | |
| Stuart Shiff | ... | Waiter | |
| Rose Wool | ... | Waitress | |
| Douglas Kinney | ... | Actor | |
| Constance Addington | ... | Actress | |
| Edwin Bederman | ... | McDonald's Manager | |
| Bobby Coyne | ... | Young Buck | |
| Michael Creadon | ... | Young Conrad | |
| rest of cast listed alphabetically: | |||
| Allison Caine | ... | Additional Voice (uncredited) | |
| Randy De Troit | ... | Man on Bridge (uncredited) | |
| Michael T. Weiss | ... | Extra (uncredited) | |
Directed by | |||
| Robert Redford | |||
Writing credits | ||
| Judith Guest | (novel) | |
| Alvin Sargent | (screenplay) | |
| Nancy Dowd | uncredited | |
Produced by | |||
| Ronald L. Schwary | .... | producer | |
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Jeff Kanew | |||
Casting by | |||
| Penny Perry | |||
Art Direction by | |||
| Phillip Bennett | |||
| J. Michael Riva | |||
Set Decoration by | |||
| William B. Fosser | (as William Fosser) | ||
| Jerry Wunderlich | |||
Costume Design by | |||
| Bernie Pollack | (costumes designed by) | ||
Makeup Department | |||
| Joel Israel | .... | hair stylist: Ms. Moore | |
| Gary Liddiard | .... | makeup artist | |
| Jean Burt Reilly | .... | hair stylist (as Jean Burke Reilly) | |
| Kathe Swanson | .... | hair stylist | |
Production Management | |||
| Ronald L. Schwary | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Britton | .... | second assistant director (as Michael L. Britton) | |
| Steve Perry | .... | first assistant director (as Steven H. Perry) | |
| Tom Seidman | .... | dga trainee | |
Art Department | |||
| Donald R. Abblett | .... | standby painter (as Donald Abblett) | |
| Edward Aiona | .... | property master (as Eddie Aiona) | |
| Richard Boris | .... | greensman | |
| Herman Lowers | .... | construction coordinator (as Herman O. Lowers) | |
| Willie Marceau | .... | head carpenter | |
| William Powley | .... | construction painter | |
| Chuck Stein | .... | construction foreman (as Charles J. Stein) | |
Sound Department | |||
| Kathleen Korth | .... | assistant sound editor (as Kathy Korth) | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Kay Rose | .... | supervising sound editor | |
| Jerry Rosenthal | .... | sound editor (as Gerald Rosenthal) | |
| Victoria Rose Sampson | .... | sound editor (as Victoria Sampson) | |
| Kenneth Schwarz | .... | boom man (as Kenny Schwarz) | |
| Bill Varney | .... | sound re-recording mixer | |
| Charles M. Wilborn | .... | sound mixer (as Charles Wilborn) | |
| John S. Coffey | .... | sound mixer: second unit (uncredited) | |
| Ken Dufva | .... | foley artist (uncredited) | |
| Harry Keramidas | .... | dialogue editor (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Stunts | |||
| Richard Epper | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| John D. Crededio | .... | gaffer: Chicago (as John Credidio) | |
| James Glennon | .... | camera operator | |
| Clyde Hart | .... | key grip | |
| Tommy Magglos | .... | second assistant cameraman | |
| Robert McLain | .... | key grip: Chicago (as Bob McLean) | |
| Ronald W. McLeish | .... | gaffer (as Ronald W. McLeisch) | |
| Lou Noto | .... | first assistant cameraman (as Louis Noto) | |
| Marcia Reed | .... | still photographer | |
Costume and Wardrobe Department | |||
| Robert M. Moore | .... | wardrobe: men (as Robert Moore) | |
| Rita Salazar | .... | wardrobe: women | |
Editorial Department | |||
| Jay Friedkin | .... | apprentice editor | |
| Carol Ann Jackson | .... | assistant editor | |
| Marilyn Madderom | .... | assistant editor | |
| Kathy Orloff | .... | apprentice editor | |
Music Department | |||
| Scott Grusin | .... | assistant music editor | |
| Marvin Hamlisch | .... | music adaptor | |
| Jack Hayes | .... | orchestrator | |
| Dan Wallin | .... | music scoring mixer | |
| Larry Blank | .... | choral conductor (uncredited) | |
Transportation Department | |||
| James Hogan | .... | co-captain: Chicago | |
| Michael McDuffee | .... | transportation captain (as Mike McDuffee) | |
| Gerald R. Molen | .... | transportation coordinator (as Jerry Molen) | |
Other crew | |||
| Jack Hirshberg | .... | unit publicist | |
| Mary Cay Hollander | .... | production coordinator | |
| Patrick Markey | .... | location manager | |
| Patricia Matzdorff | .... | secretary: Mr. Schwary | |
| Robbie Miller | .... | secretary: Mr. Redford (as Robbi Miller) | |
| Patricia Newcomb | .... | publicity consultant | |
| Phill Norman | .... | title design | |
| Grant Olson | .... | craft service | |
| Dennis Park | .... | assistant accountant | |
| Julie Pitkanen | .... | script supervisor | |
| Teresa Skinner | .... | associate: Wildwood | |
| Bob Waits | .... | assistant: Mr. Sutherland | |
| Rusty Warren | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
"Ordinary People" deserved its Oscar. There was such fierce competition in 1980 that winning the award was a real honor. The movie should have shared honors with "Coal Miner's Daughter".
Having said that, the reality of the movie is so heartbreaking and so real that you feel every emotion and understand the characters feelings, whether you liked them or not. Mary Tyler Moore's performance of Beth Jarrett is so powerful that you forget Moore's comedic repertoire and immerse yourself into her persona as a cold, distant wife that can not show emotion for her son. It is disturbing that Beth can not show Conrad love and it breaks your heart when you see the awkwardness as he tries so hard to get any love or recognition from her. Her breakdown scene at the golf course and the realization at the end of the movie that she is incapable of affectionate love are powerful performances.
Donald Sutherland's understated and beautiful performance is brilliant. His making up for Beth's shortcomings as an affectionate human being are so touching. He does all he can to keep the rest of his family together. Why he was not nominated for an Oscar is beyond comprehension.
Timothy Hutton absolutely shines as the troubled Conrad. All you want to do is hug him, love him, after his rejections from his own mother. The torture and pain he is in is portrayed so stunningly. His guilt over the death of his brother and subsequent depression are heartbreaking.
Growing up in suburban America, the film rings many a truth to the insights of what people perceive as a "normal family". The cocktail parties, the school activities, the socialization of Beth and her friends over the recognition of her son do happen in suburban America. Robert Redford recognized every real detail of the facades that people put up and the reality of what happens at home. They are poignantly and chillingly realized.
Definitely one of the most deserved Best Picture Oscars given. Please don't miss this one.