In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together. Written by
John Vogel <email@example.com>
The play that Calvin and Beth attend at the beginning of the film is a community theater production of Bernard Slade's "Same Time, Next Year". See more »
The golf scene is set on the 18th hole of the golf course but they are seen leaving the practice green (multiple holes in the putting surface are visible). See more »
Can you ever break the ball?
Conrad "Con" Jarrett:
You can't break the ball. Can't break the floor. Can't break anything in a bowling alley. And that's what I like about bowling alleys. Can't even break the record.
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"Ordinary People" deserved its Oscar. There was such fierce competition in 1980 that winning the award was a real honor. The movie should have shared honors with "Coal Miner's Daughter".
Having said that, the reality of the movie is so heartbreaking and so real that you feel every emotion and understand the characters feelings, whether you liked them or not. Mary Tyler Moore's performance of Beth Jarrett is so powerful that you forget Moore's comedic repertoire and immerse yourself into her persona as a cold, distant wife that can not show emotion for her son. It is disturbing that Beth can not show Conrad love and it breaks your heart when you see the awkwardness as he tries so hard to get any love or recognition from her. Her breakdown scene at the golf course and the realization at the end of the movie that she is incapable of affectionate love are powerful performances.
Donald Sutherland's understated and beautiful performance is brilliant. His making up for Beth's shortcomings as an affectionate human being are so touching. He does all he can to keep the rest of his family together. Why he was not nominated for an Oscar is beyond comprehension.
Timothy Hutton absolutely shines as the troubled Conrad. All you want to do is hug him, love him, after his rejections from his own mother. The torture and pain he is in is portrayed so stunningly. His guilt over the death of his brother and subsequent depression are heartbreaking.
Growing up in suburban America, the film rings many a truth to the insights of what people perceive as a "normal family". The cocktail parties, the school activities, the socialization of Beth and her friends over the recognition of her son do happen in suburban America. Robert Redford recognized every real detail of the facades that people put up and the reality of what happens at home. They are poignantly and chillingly realized.
Definitely one of the most deserved Best Picture Oscars given. Please don't miss this one.
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